A work in constant progress (and occasional regress).
Alias:
卢多维卡·兰波尔迪
Birthplace:
Roma, Italy
Born:
January 23, 1979
Ludovica Rampoldi works as a screenwriter for most of the main Italian production companies. She wrote several feature films, including Academy Award winner Gabriele Salvatores’ latest project, “II ragazzo invisibile”, “La Kryptonite nella borsa” by Ivan Cotroneo; “II Gioiellino” by Andrea Molaioli; “La doppia ora” by Giuseppe Capotondi (in competition at Venice Film Festival) and collaborated to the script of “La ragazza del Iago" by Andrea Molaioli, winner of ten David di Donatello Awards. She also writes for television, especially for the cable. She’s one of the authors of “Gomorra” a tv series based on Roberto Saviano bestseller, produced by Cattleya and Fandango for Sky and directed by Stefano Sollima. She’s part of the team who wrote the Italian adaptation of “In treatment” and she is author and creative producer of the tv series “ 992”, produced by Wildside for Sky. She has also teached screenwriting and mentored students at the Centro Sperimentale of Rome, Holden School in Turin and NCN Lab, related to the Rome Film Fest.
Director:
???? Breve storia d'amore
Screenplay:
2011 Dove la trovi una come me?
2011 Kryptonite!
2013 The Gambler Who Wouldn't Die
2014 The Invisible Boy
2016 Slam
2019 The Traitor
2021 Baggio: The Divine Ponytail
2022 Esterno Notte (part I)
2022 Esterno Notte (part II)
2025 Primavera
???? Bestie di Satana
???? Breve storia d'amore
???? My Tennis Maestro
Script Consultant:
2007 The Girl by the Lake
2011 Dove la trovi una come me?
2011 Kryptonite!
2013 The Gambler Who Wouldn't Die
2014 The Invisible Boy
2016 Slam
2019 The Traitor
2021 Baggio: The Divine Ponytail
2022 Esterno Notte (part I)
2022 Esterno Notte (part II)
2025 Primavera
???? Bestie di Satana
???? Breve storia d'amore
???? My Tennis Maestro
Story:
2007 The Girl by the Lake
2011 Dove la trovi una come me?
2011 Kryptonite!
2013 The Gambler Who Wouldn't Die
2014 The Invisible Boy
2016 Slam
2019 The Traitor
2021 Baggio: The Divine Ponytail
2022 Esterno Notte (part I)
2022 Esterno Notte (part II)
2025 Primavera
???? Bestie di Satana
???? Breve storia d'amore
???? My Tennis Maestro
Teleplay:
2007 The Girl by the Lake
2011 Dove la trovi una come me?
2011 Kryptonite!
2013 The Gambler Who Wouldn't Die
2014 The Invisible Boy
2016 Slam
2017 Due soldati
2019 The Traitor
2021 Baggio: The Divine Ponytail
2022 Esterno Notte (part I)
2022 Esterno Notte (part II)
2025 Primavera
???? Bestie di Satana
???? Breve storia d'amore
???? My Tennis Maestro
Writer:
2007 The Girl by the Lake
2009 The Double Hour
2011 Dove la trovi una come me?
2011 Kryptonite!
2011 The Jewel
2013 The Gambler Who Wouldn't Die
2014 The Invisible Boy
2016 Slam
2017 Due soldati
2018 The Invisible Boy: Second Generation
2019 The Traitor
2021 Baggio: The Divine Ponytail
2022 Esterno Notte (part I)
2022 Esterno Notte (part II)
2025 Primavera
???? Bestie di Satana
???? Breve storia d'amore
???? My Tennis Maestro
Creator:
2011 Dove la trovi una come me?
2015 1992
2019 1994
2022 The Bad Guy
Screenplay:
2011 Dove la trovi una come me?
2015 1992
2019 1994
2022 Exterior Night
2022 The Bad Guy
Writer:
2011 Dove la trovi una come me?
2014 Gomorrah
2015 1992
2017 1993
2019 1994
2022 Exterior Night
2022 The Bad Guy
2023 The Lions of Sicily
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.