A work in constant progress (and occasional regress).
Alias:
Igor Aleinikov
Игорь Алейников
Birthplace:
Grozny, USSR
Born:
March 15, 1962
Died:
March 22, 1994
Igor Aleynikov was born in Grozny, lived and worked in Moscow, died together with his wife Vera in a plane crash near Mezhdurechensk. The ideologist of the creation and leader of the movement "parallel cinema", which gave a socio-cultural niche to independent filmmakers. Popularizer of the movement. The creator of the "parallel cinema" film festival is CINE FANTOM. The editor-in-chief of the "Samizdat" magazine about cinema is CINE FANTOM. Author and director of more than 30 films. Participant and jury member of several international film and video festivals.
Camera Operator:
1984 Happy End
1984 The Girl and Buda
1985 And So On...
1985 Golden Room, or 16 Positions for Self-identification
1985 Russian Roulette
Cinematography:
1982 Top Point
1984 Happy End
1984 The Girl and Buda
1985 And So On...
1985 Golden Room, or 16 Positions for Self-identification
1985 Russian Roulette
Director:
1982 Top Point
1984 Happy End
1984 Metastasis
1984 The Girl and Buda
1985 And So On...
1985 Golden Room, or 16 Positions for Self-identification
1985 Russian Roulette
1986 М. Е.
1987 I'm Cold. So What?
1987 Revolutionary Sketches
1987 Tractors
1988 Post-Political Cinema
1989 Cruel Illness of Men
1989 Typist
1989 Waiting for de Bil
1990 Aquarium Fish of This World
1990 Somebody Was Here...
1992 Tractor Drivers 2
1994 Nikolay Berezkin's Love Story
2000 Америга
Music:
1982 Top Point
1984 Happy End
1984 Metastasis
1984 The Girl and Buda
1985 And So On...
1985 Golden Room, or 16 Positions for Self-identification
1985 Russian Roulette
1986 М. Е.
1987 I'm Cold. So What?
1987 Revolutionary Sketches
1987 Tractors
1988 Post-Political Cinema
1989 Cruel Illness of Men
1989 Typist
1989 Waiting for de Bil
1990 Aquarium Fish of This World
1990 Somebody Was Here...
1992 Tractor Drivers 2
1994 Nikolay Berezkin's Love Story
2000 Америга
Producer:
1982 Top Point
1984 Happy End
1984 Metastasis
1984 The Girl and Buda
1985 And So On...
1985 Golden Room, or 16 Positions for Self-identification
1985 Russian Roulette
1986 М. Е.
1987 I'm Cold. So What?
1987 Revolutionary Sketches
1987 Tractors
1988 Post-Political Cinema
1989 Cruel Illness of Men
1989 Typist
1989 Waiting for de Bil
1990 Aquarium Fish of This World
1990 Somebody Was Here...
1992 Tractor Drivers 2
1994 Nikolay Berezkin's Love Story
2000 Америга
Writer:
1982 Top Point
1984 Happy End
1984 Metastasis
1984 The Girl and Buda
1985 And So On...
1985 Golden Room, or 16 Positions for Self-identification
1985 Russian Roulette
1986 М. Е.
1987 I'm Cold. So What?
1987 Revolutionary Sketches
1987 Tractors
1988 Post-Political Cinema
1989 Cruel Illness of Men
1989 Typist
1989 Waiting for de Bil
1990 Aquarium Fish of This World
1990 Somebody Was Here...
1992 Tractor Drivers 2
1994 Nikolay Berezkin's Love Story
2000 Америга
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.