A work in constant progress (and occasional regress).
Alias:
Saul Carswell
Assistant Camera:
1966 La montagna del sole
1966 Surf Casting
1966 Un giorno alla settimana
1967 Colt in the Hand of the Devil
1969 Puro siccome un angelo papà mi fece monaco... di Monza
1970 In the Folds of the Flesh
1970 Principe coronato cercasi per ricca ereditiera
1970 Un caso di coscienza
1971 Le inibizioni del dottor Gaudenzi, vedovo col complesso della buonanima
1972 Decameron II
1972 When Women Were Called Virgins
1976 The Con Artists
1977 I Am the Law
1977 Nine Guests for a Crime
1978 Break Up
1979 Caligula
1979 Gegè Bellavita
1981 Teste di quoio
1983 Copkiller
1983 The Key
1984 Magic Moments
1985 Miranda
1985 The Repenter
1987 Love & Passion
1987 Specters
1990 Everybody's Fine
1990 The Dark Sun
Camera Operator:
1966 La montagna del sole
1966 Surf Casting
1966 Un giorno alla settimana
1967 Colt in the Hand of the Devil
1969 Puro siccome un angelo papà mi fece monaco... di Monza
1970 In the Folds of the Flesh
1970 Principe coronato cercasi per ricca ereditiera
1970 Un caso di coscienza
1971 Le inibizioni del dottor Gaudenzi, vedovo col complesso della buonanima
1972 Decameron II
1972 When Women Were Called Virgins
1976 The Con Artists
1977 I Am the Law
1977 Nine Guests for a Crime
1978 Break Up
1979 Caligula
1979 Gegè Bellavita
1981 Teste di quoio
1983 Copkiller
1983 The Key
1984 Magic Moments
1985 Miranda
1985 The Repenter
1987 Love & Passion
1987 Specters
1990 Blue Dolphin - l'avventura continua
1990 Everybody's Fine
1990 The Dark Sun
1991 Paprika
1993 Hot Laps
First Assistant Camera:
1966 La montagna del sole
1966 Surf Casting
1966 Un giorno alla settimana
1967 Colt in the Hand of the Devil
1969 Puro siccome un angelo papà mi fece monaco... di Monza
1970 In the Folds of the Flesh
1970 Principe coronato cercasi per ricca ereditiera
1970 Un caso di coscienza
1971 Le inibizioni del dottor Gaudenzi, vedovo col complesso della buonanima
1972 Decameron II
1972 When Women Were Called Virgins
1976 The Con Artists
1977 I Am the Law
1977 Nine Guests for a Crime
1978 Break Up
1979 Caligula
1979 Gegè Bellavita
1981 Teste di quoio
1983 Copkiller
1983 The Key
1984 Magic Moments
1985 Attention
1985 Miranda
1985 The Repenter
1987 Love & Passion
1987 Specters
1988 Arrivederci e grazie
1990 Blue Dolphin - l'avventura continua
1990 Everybody's Fine
1990 The Dark Sun
1991 Paprika
1993 Hot Laps
Production Coordinator:
1966 La montagna del sole
1966 Solitudine
1966 Surf Casting
1966 Un giorno alla settimana
1967 Colt in the Hand of the Devil
1969 Puro siccome un angelo papà mi fece monaco... di Monza
1970 In the Folds of the Flesh
1970 Principe coronato cercasi per ricca ereditiera
1970 Un caso di coscienza
1971 Le inibizioni del dottor Gaudenzi, vedovo col complesso della buonanima
1972 Decameron II
1972 When Women Were Called Virgins
1976 The Con Artists
1977 I Am the Law
1977 Nine Guests for a Crime
1978 Break Up
1979 Caligula
1979 Gegè Bellavita
1981 Teste di quoio
1983 Copkiller
1983 The Key
1984 Magic Moments
1985 Attention
1985 Miranda
1985 The Repenter
1987 Love & Passion
1987 Specters
1988 Arrivederci e grazie
1990 Blue Dolphin - l'avventura continua
1990 Everybody's Fine
1990 The Dark Sun
1991 Paprika
1993 Hot Laps
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.