A work in constant progress (and occasional regress).
Alias:
リセット・アンソニー
Birthplace:
London, England, UK
Born:
September 26, 1963
Lysette Anne Chodzko, known professionally as Lysette Anthony, is an English actress and model. She is known for her roles in the film Husbands and Wives (1992), as Princess Lysssa in the 1983 fantasy epic Krull, the first season of the ITV comedy-drama series Auf Wiedersehen, Pet (1983), the BBC1 sitcom Three Up, Two Down (1985-1989) and her role as Marnie Nightingale in the Channel 4 soap opera Hollyoaks (2016–2022). Anthony was born on September 26, 1963 in Marylebone, London, the only child of actor Michael Adam Anthony (né Chodzko), an actor from Jersey, and actress Bernadette Milnes. The couple later divorced. Anthony's French-born paternal grandfather, Alexander Victor Chodzko, was a mariner and journalist of Polish descent. Anthony's childhood was made difficult by her mother's manic depression and schizophrenia and she left home at 19. In 1980, at age 16, Anthony was heralded as the "Face of the Eighties" by photographer David Bailey. She was a successful model before she became known as an actress at the age of 20. Anthony's film debut was in the 1983 fantasy film Krull, in which she played Princess Lyssa. She then went on to appear in a number of other films, including Husbands and Wives (1992), Dracula: Dead and Loving It (1995), and Tale of the Mummy (1998). On television, Anthony has starred in a number of series, including Auf Wiedersehen, Pet (1983), Three Up, Two Down (1985-1989), and Hollyoaks (2016–2022). She has also guest-starred in a number of other shows, including Doctor Who, The Bill, and Midsomer Murders.
Associate Producer:
1996 Dead Cold
1997 Man of Her Dreams
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.