A work in constant progress (and occasional regress).
Birthplace:
St. John's, Newfoundland, Canada
In 1990, St. John’s, Newfoundland-based director Rosemary House made the award-winning short When Women Are Crazy. Since then she’s directed over 20 films, including the feature comedy Violet (2001) starring Mary Walsh and Peter MacNeill, and NFB docs Rain, Drizzle and Fog (1998) and Salvation (2002), which was nominated for the Donald Brittain Award. Her other films include Bloomsday Cabaret (2004), nominated for a Best Direction Gemini, Christopher House: Ahead of the Curve (2007), and Hold Fast (dir. Justin Simms).
Continuity:
1988 Finding Mary March
Director:
1988 Finding Mary March
1991 When Women Are Crazy
1992 Subway to Tickle Gut
1998 Rain, Drizzle, and Fog
2000 Violet
2001 Salvation
2004 Bloomsday Cabaret
2004 Hospital City
2007 Christopher House: Ahead of the Curve
Line Producer:
1988 Finding Mary March
1991 When Women Are Crazy
1992 Subway to Tickle Gut
1994 Anchor Zone
1998 Rain, Drizzle, and Fog
2000 Violet
2001 Salvation
2004 Bloomsday Cabaret
2004 Hospital City
2007 Christopher House: Ahead of the Curve
Producer:
1988 Finding Mary March
1991 When Women Are Crazy
1992 Hanlon House
1992 Subway to Tickle Gut
1994 Anchor Zone
1998 Rain, Drizzle, and Fog
2000 Violet
2001 Salvation
2004 Bloomsday Cabaret
2004 Hospital City
2007 Christopher House: Ahead of the Curve
2013 Hold Fast
2015 Puffin Patrol
Writer:
1988 Finding Mary March
1991 When Women Are Crazy
1992 Hanlon House
1992 Subway to Tickle Gut
1994 Anchor Zone
1998 Rain, Drizzle, and Fog
2000 Violet
2001 Salvation
2004 Bloomsday Cabaret
2004 Hospital City
2007 Christopher House: Ahead of the Curve
2013 Hold Fast
2015 Puffin Patrol
2018 An Audience of Chairs
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.