A work in constant progress (and occasional regress).
Luke Jeffrey Alexander Scott (born January 9, 1994) is a stunt performer. Born in Huntingdon, Cambridgeshire, England, he began training in martial arts at age six, inspired by his father's dojo, eventually mastering disciplines including Kung Fu, Wushu, Kickboxing, Sport Karate, and competitive weapon forms. By age eleven, he had earned his first black belt. He was already representing Great Britain at international Wushu championships, amassing numerous national and world titles through the 2000s and early 2010s. As a member of the British Stunt Register since 2015, Scott has become a key stunt performer on high-profile projects, contributing to the action choreography and doubling for major stars. His stunt credits include Wonder Woman (2017), Mission: Impossible – Dead Reckoning Part One (2023), Deadpool & Wolverine (2024), Rogue One: A Star Wars Story (2016), Star Wars: The Rise of Skywalker (2019), The King's Man (2021), Assassin's Creed (2016), and the TV series Into the Badlands (2015–2019). He served as Tom Holland's stunt double in Spider-Man: Far From Home (2019), Spider-Man: No Way Home (2021), and Uncharted (2022), and also doubled Taron Egerton in Kingsman: The Golden Circle (2017), Alden Ehrenreich in Solo: A Star Wars Story (2018), Aaron Taylor-Johnson in Kraven the Hunter (2025), Sam Rockwell in Argylle (2024), and Dean-Charles Chapman in 1917 (2019) and the series The Acolyte (2024). Scott's first on-screen role was as a character named Luke in the Universal film The World's End (2013), directed by Edgar Wright, in which he also performed stunts. Other early stunt work includes credits on The Huntsman: Winter's War (2016), Enola Holmes (2020), Venom: Let There Be Carnage (2021), and Deadpool & Wolverine (2024). Beyond film, he has performed internationally as a coach and martial arts demonstrator, participated in stage shows and arena tours, and founded his own stunt and performance initiatives known as XTRIX and Stagetrix. He has received multiple industry honours as part of ensemble stunt teams. In 2018, he was part of the team that won the Screen Actors Guild Award for Outstanding Action Performance by a Stunt Ensemble in a Motion Picture for Wonder Woman (2017). That same year, he was also a nominee at the Taurus World Stunt Awards for Best Fight in Wonder Woman, shared with fellow performers Oliver Gough, Ian Pead, Nick Roeten, and Caitlin Dechelle. In 2024, Scott was nominated for the Screen Actors Guild Award in the same category for his work on Barbie (2023). In 2025, he received two more SAG Award nominations for Outstanding Action Performance by a Stunt Ensemble in a Motion Picture—one for Deadpool & Wolverine (2024) and another for Wicked (2024).
Acting Double:
2021 Spider-Man: No Way Home
Fight Choreographer:
2021 Spider-Man: No Way Home
???? Stuntnuts: The Movie
Stunt Double:
2017 Kingsman: The Golden Circle
2018 Solo: A Star Wars Story
2019 1917
2019 Spider-Man: Far From Home
2019 Star Wars: The Rise of Skywalker
2021 Infinite
2021 Spider-Man: No Way Home
2022 Uncharted
2024 Argylle
2026 Spider-Man: Brand New Day
???? Stuntnuts: The Movie
Stunts:
2016 Assassin's Creed
2016 The Huntsman: Winter's War
2017 King Arthur: Legend of the Sword
2017 Kingsman: The Golden Circle
2017 Wonder Woman
2018 Solo: A Star Wars Story
2019 1917
2019 Spider-Man: Far From Home
2019 Star Wars: The Rise of Skywalker
2020 Enola Holmes
2020 The Old Guard
2021 Infinite
2021 Spider-Man: No Way Home
2021 The King's Man
2021 Tom & Jerry
2021 Venom: Let There Be Carnage
2022 The Batman
2022 Uncharted
2023 Barbie
2024 Argylle
2024 Deadpool & Wolverine
2024 Ghostbusters: Frozen Empire
2024 Kraven the Hunter
2024 Wicked
2025 Mission: Impossible - The Final Reckoning
2026 Spider-Man: Brand New Day
???? Stuntnuts Does School Fight
???? Stuntnuts: The Movie
Stunt Double:
2019 Year of the Rabbit
2024 The Acolyte
Stunts:
2015 Catastrophe
2019 Year of the Rabbit
2020 Brave New World
2023 Silo
2024 The Acolyte
2024 The Regime
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.