Laida Lertxundi (b. 1981)

Birthplace:
Bilbao, Vizcaya, País Vasco, Spain

Born:
April 13, 1981

Laida Lertxundi is a Spanish filmmaker and university professor of fine arts based in the United States.

Additional information:

The Search Form


Cinematography:
2010  Cry When It Happens
2023  In a Nearby Field

Director:
2004  Farce Sensationelle!
2007  Footnotes to a House of Love
2009  My Tears Are Dry
2010  Cry When It Happens
2011  A Lax Riddle Unit
2012  The Room Called Heaven
2013  Utskor: Either/Or
2014  We Had the Experience but Missed the Meaning
2015  Live to Live
2016  025 Sunset Red
2018  Words, Planets
2020  Affirmation
2020  Autofiction
2021  Inner Outer Space
2023  8 Encounters
2023  In a Nearby Field

Editor:
2004  Farce Sensationelle!
2007  Footnotes to a House of Love
2009  My Tears Are Dry
2010  Cry When It Happens
2011  A Lax Riddle Unit
2012  The Room Called Heaven
2013  Utskor: Either/Or
2014  We Had the Experience but Missed the Meaning
2015  Live to Live
2016  025 Sunset Red
2018  Words, Planets
2020  Affirmation
2020  Autofiction
2021  Inner Outer Space
2023  8 Encounters
2023  In a Nearby Field

Screenplay:
2004  Farce Sensationelle!
2007  Footnotes to a House of Love
2009  My Tears Are Dry
2010  Cry When It Happens
2011  A Lax Riddle Unit
2012  The Room Called Heaven
2013  Utskor: Either/Or
2014  We Had the Experience but Missed the Meaning
2015  Live to Live
2016  025 Sunset Red
2018  Words, Planets
2020  Affirmation
2020  Autofiction
2021  Inner Outer Space
2023  8 Encounters
2023  In a Nearby Field

Writer:
2004  Farce Sensationelle!
2007  Footnotes to a House of Love
2009  My Tears Are Dry
2010  Cry When It Happens
2011  A Lax Riddle Unit
2012  The Room Called Heaven
2013  Utskor: Either/Or
2014  We Had the Experience but Missed the Meaning
2015  Live to Live
2016  025 Sunset Red
2018  Words, Planets
2020  Affirmation
2020  Autofiction
2021  Inner Outer Space
2023  8 Encounters
2023  In a Nearby Field

Camera Operator:
2020  A Vocabulary for the Future

About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

Regarding profile removals and data corrections:

  • If you would like your profile removed from this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's gone from their site, it should soon be gone from this site.
  • If you would like to correct movie data on this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's corrected on their site, it should soon be corrected on this site.
  • For additional corrections and profile removals, please e-mail The Open Movie Database (OMDb).

Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.