A work in constant progress (and occasional regress).
Alias:
Maria Ibrahimova
Birthplace:
Moscow, USSR [now Russia]
Born:
January 7, 1976
Maria Ibrahimova's debut film, the documentary Miss Gulag (2007), was produced with support from the Sundance Institute and the Ford Foundation. It premiered at the Berlin International Film Festival (2007) in the Panorama section, and screened at 40 festivals and on TV around the world including on the BBC. Maria also directed and produced several award-winning short films, and documentaries as well as commercial work through her production company Cinex, based in Baku, Azerbaijan. She recently produced her first feature film, Balıqçı qızı (2020), with Russian producer Alexander Rodnyansky (Leviafan (2014), Nelyubov (2017)), distributed by Wild Bunch and premiering at the Moscow International Film Festival (2020). Currently, she is developing her directorial feature debut HAZEL EYES with Turkish producer Zeynep Özbatur Atakan (Bir Zamanlar Anadolu'da (2011), Qis Yuxusu (2014)), which she presented to international co-producers at the Berlinale Co-Production Market (2020). Most recently Maria produced We Are Russia (2019) a documentary about the youth movement that supports the recently poisoned activist Alexei Navalny. Directed by Alexandra Dalsbaek, the film premiered at the Visions du Reel film festival in 2020 and will have its North American premiere at DOCNYC. Maria is also developing the documentary DREAMER, about an all-girls football team in rural Azerbaijan, directed by Imam Hasanov (Holy Cow (2015)). c. IMDB
Director:
2007 Miss Gulag
???? Hazel Eyes
Producer:
2007 Miss Gulag
2020 The Fisherman's Daughter
2024 Forgive Me Tonight
2025 Dreamers - People of Light
???? Bir İtin Taleyi
???? Hazel Eyes
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.