A work in constant progress (and occasional regress).
Alias:
Άντρια Ράισμπορο
Андреа Райзборо
アンドレア・ライズボロー
安德麗亞·瑞斯波羅格
안드레아 라이즈버러
Birthplace:
Whitley Bay, Northumberland, UK
Born:
November 20, 1981
Andrea Louise Riseborough (born 20 November 1981) is an English actress and producer. She made her film debut with a small part in Venus (2006), and has since appeared in more prominent roles in Happy-Go-Lucky (2008), Never Let Me Go, Brighton Rock, Made in Dagenham (all 2010), W.E. (2011), Shadow Dancer, Disconnect (both 2012), Welcome to the Punch, Oblivion (both 2013), Birdman (2014), Nocturnal Animals (2016), Battle of the Sexes, The Death of Stalin (both 2017), Mandy, Nancy (both 2018), The Grudge, and Possessor (both 2020). For her performance as a recovering addict in the drama To Leslie (2022), Riseborough received a nomination for the Academy Award for Best Actress. Outside of film, Riseborough received a BAFTA nomination for her portrayal of Margaret Thatcher in the television film The Long Walk to Finchley (2008), and won critical acclaim for her performances in the Channel 4 miniseries The Devil's Whore (2008) and National Treasure (2016), as well as the BBC One miniseries The Witness for the Prosecution (2016). Her stage credits include August Strindberg's Miss Julie, Shakespeare's Measure for Measure (Theatre Royal, Bath, both 2006) and Anton Chekhov's Ivanov (West End, 2008). Description above from the Wikipedia article Andrea Riseborough, licensed under CC-BY-SA, full list of contributors on Wikipedia.
Executive Producer:
2022 Please Baby Please
2022 To Leslie
Producer:
2018 Nancy
2022 Please Baby Please
2022 To Leslie
???? The Queen of Fashion
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Executive Producer:
2024 Alice & Jack
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.