A work in constant progress (and occasional regress).
Alias:
杨正帆
Cinematography:
2016 Another Year
Director:
2009 The Man Behind the Camera
2010 Ten Years Later
2011 I Travel Through Time to Meet You Again
2011 The Surroundings
2012 I Killed My Father
2013 Distant
2016 Another Year
2016 Where Are You Going
2017 Liquid Image
2018 Down There
2022 Footnote
2024 The Stranger
Director of Photography:
2009 The Man Behind the Camera
2010 Ten Years Later
2011 I Travel Through Time to Meet You Again
2011 The Surroundings
2012 I Killed My Father
2013 Distant
2016 Another Year
2016 Where Are You Going
2017 Liquid Image
2018 Down There
2021 A River Runs, Turns, Erases, Replaces
2022 Footnote
2024 The Stranger
Producer:
2009 The Man Behind the Camera
2010 Ten Years Later
2011 I Travel Through Time to Meet You Again
2011 The Surroundings
2012 I Killed My Father
2013 Distant
2016 Another Year
2016 Where Are You Going
2017 Liquid Image
2018 Down There
2019 Present.Perfect.
2021 A River Runs, Turns, Erases, Replaces
2022 Footnote
2024 The Stranger
Screenplay:
2009 The Man Behind the Camera
2010 Ten Years Later
2011 I Travel Through Time to Meet You Again
2011 The Surroundings
2012 I Killed My Father
2013 Distant
2016 Another Year
2016 Where Are You Going
2017 Liquid Image
2018 Down There
2019 Present.Perfect.
2021 A River Runs, Turns, Erases, Replaces
2022 Footnote
2024 The Stranger
Writer:
2009 The Man Behind the Camera
2010 Ten Years Later
2011 I Travel Through Time to Meet You Again
2011 The Surroundings
2012 I Killed My Father
2013 Distant
2016 Another Year
2016 Where Are You Going
2017 Liquid Image
2018 Down There
2019 Present.Perfect.
2021 A River Runs, Turns, Erases, Replaces
2022 Footnote
2024 The Stranger
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.