A work in constant progress (and occasional regress).
Alias:
C. Martin
ADR & Dubbing:
2013 The Lady Vanishes
ADR Mixer:
1999 Oklahoma!
2013 The Lady Vanishes
Mix Technician:
1983 Frida Kahlo & Tina Modotti
1999 Oklahoma!
2013 The Lady Vanishes
Mixing Engineer:
1979 Phoelix
1983 Frida Kahlo & Tina Modotti
1999 Oklahoma!
2013 The Lady Vanishes
Sound Mixer:
1978 A Hitch in Time
1979 Correction, Please: or, How We Got into the Pictures
1979 Phoelix
1983 Frida Kahlo & Tina Modotti
1984 The Wandering Company
1986 Street of Crocodiles
1991 The Comb
1993 Anamorphosis
1999 Oklahoma!
1999 The Dark Room
2002 Naz: The Little Prince the Big Fight
2013 The Lady Vanishes
Sound Re-Recording Mixer:
1978 A Hitch in Time
1979 Correction, Please: or, How We Got into the Pictures
1979 Phoelix
1980 At the Fountainhead (Of German Strength)
1983 Frida Kahlo & Tina Modotti
1983 The World of 'The Dark Crystal'
1984 The Wandering Company
1986 Street of Crocodiles
1991 The Comb
1993 Anamorphosis
1999 Oklahoma!
1999 The Dark Room
2002 Naz: The Little Prince the Big Fight
2011 The Night Watch
2013 The Lady Vanishes
Sound Recordist:
1978 A Hitch in Time
1979 Correction, Please: or, How We Got into the Pictures
1979 Phoelix
1980 At the Fountainhead (Of German Strength)
1982 Igor Stravinsky: The Paris Years Chez Pleyel 1920-1929
1983 Frida Kahlo & Tina Modotti
1983 The World of 'The Dark Crystal'
1984 The Wandering Company
1986 Street of Crocodiles
1991 The Comb
1993 Anamorphosis
1999 Oklahoma!
1999 The Dark Room
2002 Naz: The Little Prince the Big Fight
2011 The Night Watch
2013 The Lady Vanishes
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.