Home

Natalie Holt

Alias:
Natalie Ann Holt

Biography from TheMovieDB

Natalie Ann Holt (born 29 June 1982) is a British composer who has worked on numerous film and television projects. She is primarily recognised for her work on several notable productions, including Paddington (2014) and Loki (2021–2023). She trained at the Royal Academy of Music and then the National Film and Television School and had a career as a classical violinist before becoming a film composer. Holt's distinction in her field was recognised by being made an associate of the Royal Academy of Music in 2017.  Description above from the Wikipedia article Natalie Holt, licensed under CC-BY-SA, full list of contributors on Wikipedia.

Click the heading above to show or hide the text.

Additional information:

The Search Form


Film Production

Musician:
2018  Pin Cushion

Original Music Composer:
2005  Dupe
2008  The Things I Haven't Told You
2011  Mesocafé
2011  The Holding
2012  Animals
2017  Journey's End
2018  Pin Cushion
2019  Infidel
2019  Rachel
2020  Herself
2020  Kindred
2021  Fever Dream
2022  The Princess
2024  She's Got No Name

Click the heading above to show or hide the list.

TV Production

Original Music Composer:
2011  Great Expectations
2014  The Honourable Woman
2016  My Mother and Other Strangers
2017  Three Girls
2021  Loki
2022  Obi-Wan Kenobi
2024  Rivals
2025  Chad Powers
????  Atomic

Click the heading above to show or hide the list.

About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

Regarding profile removals and data corrections:

  • If you would like your profile removed from this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's gone from their site, it should soon be gone from this site.
  • If you would like to correct movie data on this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's corrected on their site, it should soon be corrected on this site.
  • For additional corrections and profile removals, please e-mail The Open Movie Database (OMDb).

Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.