Leo Birenberg (b. 1988)

Birthplace:
Kentucky, USA

Born:
January 1, 1988

Leo Birenberg is a composer for film and television, he has been in the music department for his entire adult life. Hard work and a chance meeting with Christophe Beck led him to score coordination for big time movies like The Muppets, Frozen, Runner Runner, Edge of Tomorrow, Ant-Man, and The Peanuts Movie while he’s also done composition for the short lived Big Time in Hollywood Florida and Seeso original Take My Wife.  Leo’s music is featured in Fox’s celebrated hybrid animation series Son of Zorn. Working across a variety of genres and platforms, he has scored Seeso’s Take My Wife, Comedy Central’s Big Time in Hollywood, FL , and the critically acclaimed documentary Red Army.  Kentucky-born and Chicago-raised, Leo spent his childhood making movies and playing music, eventually combining the two by studying composition at NYU and USC. Originally a woodwind player and vocalist, Leo’s musical background is diverse, with influences from classical, jazz, bluegrass, show tunes, rock, world and electronic music.  Leo currently resides in Los Angeles. When not composing, he enjoys working out, playing pennywhistle, and going on walks with his fearsome beagle, Napoleon.

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Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

Regarding profile removals and data corrections:

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  • For additional corrections and profile removals, please e-mail The Open Movie Database (OMDb).

Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.