A work in constant progress (and occasional regress).
Art Direction:
1973 Counselor at Crime
1977 Journey to the Centre of the Earth
1979 Supersonic Man
Matte Painter:
1959 The Last Days of Pompeii
1973 Counselor at Crime
1977 Journey to the Centre of the Earth
1979 Supersonic Man
Production Design:
1959 The Last Days of Pompeii
1973 Counselor at Crime
1977 Journey to the Centre of the Earth
1979 Supersonic Man
1981 Mystery on Monster Island
Scenic Artist:
1959 The Last Days of Pompeii
1961 El Cid
1973 Counselor at Crime
1977 Journey to the Centre of the Earth
1979 Supersonic Man
1981 Mystery on Monster Island
Set Decoration:
1959 The Last Days of Pompeii
1961 El Cid
1973 Counselor at Crime
1973 Here We Go Again, Eh Providence?
1973 High Crime
1973 White Fang
1977 Journey to the Centre of the Earth
1979 Supersonic Man
1981 Mystery on Monster Island
Special Effects:
1957 ...And She Chose Hell
1958 Aquellos tiempos del cuplé
1959 The Last Days of Pompeii
1961 El Cid
1969 Eagles Over London
1973 Counselor at Crime
1973 Here We Go Again, Eh Providence?
1973 High Crime
1973 White Fang
1974 And Then There Were None
1977 Journey to the Centre of the Earth
1979 Supersonic Man
1981 Mystery on Monster Island
1982 Conan the Barbarian
Visual Effects:
1957 ...And She Chose Hell
1958 Aquellos tiempos del cuplé
1959 The Last Days of Pompeii
1961 El Cid
1968 Kill Them All and Come Back Alone
1969 Eagles Over London
1973 Counselor at Crime
1973 Here We Go Again, Eh Providence?
1973 High Crime
1973 White Fang
1974 And Then There Were None
1975 Cry, Onion!
1977 Journey to the Centre of the Earth
1979 Operation Ogre
1979 Supersonic Man
1981 Mystery on Monster Island
1982 Conan the Barbarian
Visual Effects:
1980 Fortunata and Jacinta
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.