A work in constant progress (and occasional regress).
Alias:
Норберт Пфаффенбихлер
Birthplace:
Steyr, Austria
Born:
April 26, 1967
Norbert Pfaffenbichler (born 26 April 1967 in Steyr) is an Austrian artist, filmmaker and curator. He studied Media Design at the University of Applied Arts in Vienna. He is also co-founder of VIDOK Studio. Pfaffenbichler was involved with the Austrian abstract cinema movement which emerged in the 1990s. In 2002, he started working on his film series Notes on Film, in which he deconstructs film history from an artistic perspective. Since then, he has made a number of experimental short films, stage videos and curated exhibitions throughout Austria. He lives in Vienna.
Director:
1997 Wirehead
1998 Santora
1998 traxdata
2001 36
2002 Notes on Film 01 Else
2003 notes on MAZY
2006 Notes on Film 02
2006 a1b2c3
2007 Mosaik mécanique
2010 Ödipus Monument Test 01
2011 Conference (Notes on Film 05)
2012 Intermezzo (Notes on Film 04)
2013 A Masque of Madness (Notes on Film 06-B, Monologue 02)
2013 A Messenger from the Shadows (Notes on Film 06 A/Monologue 01)
2014 Odessa Crash Test (Notes on Film 09)
2015 Camera (Notes on Film 10)
2018 Invest in Failure (Notes on Film 06-C, Monologue 03)
2019 Notes on Noise 01 Hoffmann's Hymn
2021 2551.01
2023 2551.02 – The Orgy of the Damned
Executive Producer:
1997 Wirehead
1998 Santora
1998 traxdata
2001 36
2002 Notes on Film 01 Else
2003 notes on MAZY
2006 Notes on Film 02
2006 a1b2c3
2007 Mosaik mécanique
2010 Ödipus Monument Test 01
2011 Conference (Notes on Film 05)
2012 Intermezzo (Notes on Film 04)
2013 A Masque of Madness (Notes on Film 06-B, Monologue 02)
2013 A Messenger from the Shadows (Notes on Film 06 A/Monologue 01)
2014 Odessa Crash Test (Notes on Film 09)
2015 Camera (Notes on Film 10)
2018 Invest in Failure (Notes on Film 06-C, Monologue 03)
2019 Notes on Noise 01 Hoffmann's Hymn
2021 2551.01
2023 2551.02 – The Orgy of the Damned
Producer:
1997 Wirehead
1998 Santora
1998 traxdata
2001 36
2002 Notes on Film 01 Else
2003 notes on MAZY
2006 Notes on Film 02
2006 a1b2c3
2007 Mosaik mécanique
2010 Ödipus Monument Test 01
2011 Conference (Notes on Film 05)
2012 Intermezzo (Notes on Film 04)
2013 A Masque of Madness (Notes on Film 06-B, Monologue 02)
2013 A Messenger from the Shadows (Notes on Film 06 A/Monologue 01)
2014 Odessa Crash Test (Notes on Film 09)
2015 Camera (Notes on Film 10)
2018 Invest in Failure (Notes on Film 06-C, Monologue 03)
2019 Notes on Noise 01 Hoffmann's Hymn
2021 2551.01
2023 2551.02 – The Orgy of the Damned
Screenplay:
1997 Wirehead
1998 Santora
1998 traxdata
2001 36
2002 Notes on Film 01 Else
2003 notes on MAZY
2006 Notes on Film 02
2006 a1b2c3
2007 Mosaik mécanique
2010 Ödipus Monument Test 01
2011 Conference (Notes on Film 05)
2012 Intermezzo (Notes on Film 04)
2013 A Masque of Madness (Notes on Film 06-B, Monologue 02)
2013 A Messenger from the Shadows (Notes on Film 06 A/Monologue 01)
2014 Odessa Crash Test (Notes on Film 09)
2015 Camera (Notes on Film 10)
2018 Invest in Failure (Notes on Film 06-C, Monologue 03)
2019 Notes on Noise 01 Hoffmann's Hymn
2021 2551.01
2023 2551.02 – The Orgy of the Damned
Writer:
1997 Wirehead
1998 Santora
1998 traxdata
2001 36
2002 Notes on Film 01 Else
2003 notes on MAZY
2006 Notes on Film 02
2006 a1b2c3
2007 Mosaik mécanique
2010 Ödipus Monument Test 01
2011 Conference (Notes on Film 05)
2012 Intermezzo (Notes on Film 04)
2013 A Masque of Madness (Notes on Film 06-B, Monologue 02)
2013 A Messenger from the Shadows (Notes on Film 06 A/Monologue 01)
2014 Odessa Crash Test (Notes on Film 09)
2015 Camera (Notes on Film 10)
2018 Invest in Failure (Notes on Film 06-C, Monologue 03)
2019 Notes on Noise 01 Hoffmann's Hymn
2021 2551.01
2023 2551.02 – The Orgy of the Damned
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.