A work in constant progress (and occasional regress).
Birthplace:
Acton, London, England
Donna Berlin is an Actress, Choreographer and Movement Director. She started dancing at the age of 3 and her love of the performing arts grew when she later attended stage school. At the age of 11 she appeared in her first film, Pink Floyd’s The Wall, and since then she has never looked back. Donna’s theatre credits include The Clinic (Almeida), The Gift (Belgrade/UK Tour), Chasing Rainbows (Hoxton Hall), Princess and the Hustler (Bristol Old Vic/Hull Truck tour – nominated for ‘Best Supporting Actress’ at Broadway World Regional 2019 Awards), A Midsummer Night’s Dream (Sheffield Crucible), The Chalk Garden (Chichester Festival), Great Apes (Arcola), Of Kith and Kin (Sheffield Crucible/ The Bush), Anna Karenina (Manchester Royal Exchange/WYP), Rolling Stone (Royal Exchange/WYP), Blood Wedding and The Bacchae (Royal & Derngate), Keeping Mum (Brockley Jack), Counted/Look Right Look Left (County Hall/ UK Tour), Puffins (Nabokov/ Southwark Playhouse), and The Vagina Monologues (Pleasance). Donna’s television credits include Nolly, Doctors, Breeders, Requiem, Game Face, Eastenders, Todd Margaret, Drifters, Coronation Street, Hollyoaks, New Tricks, Extras – Series B, Lead Balloon, Casualty, Judge John Deed, and Beautiful People. Donna’s credits in feature films include In Darkness, Monochrome, Dinner With My Sisters, Press Your Lips (LFS short), Blinda (short). Donna’s choreography and movement direction credits include Dick Whittington (Nottingham Playhouse), Trouble in Mind (NT), Aladdin (Mercury), Waves and Attempts on Her Life (NT), and The Merry Widow and Carmen (Opera UK). Donna spent 6 years as Resident Choreographer at The Queens, Hornchurch and has done many in-house productions at LAMDA where she was a member of the movement department for over 30 years.
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.