A work in constant progress (and occasional regress).
Birthplace:
Munich, Germany
Artist and filmmaker Andrea Luka Zimmerman grew up on a large council estate in Munich and left school at 16. After moving to London in 1991, she studied at Central St. Martins. She won the Artangel Open Award for her collaborative feature drama Cycle (2018) with Adrian Jackson (Cardboard Citizens)
Camera Operator:
2006 The Last Biscuit
Cinematography:
2006 The Last Biscuit
2015 Estate, a Reverie
Director:
2002 The Delmarva Chicken of Tomorrow
2006 The Last Biscuit
2013 Taşkafa, Stories of the Street
2015 Estate, a Reverie
2017 Erase and Forget
2019 Here for Life
2021 Art Class
2024 Wayfaring Stranger
???? Civil Rites
Director of Photography:
2002 The Delmarva Chicken of Tomorrow
2006 The Last Biscuit
2013 Taşkafa, Stories of the Street
2015 Estate, a Reverie
2017 Erase and Forget
2019 Here for Life
2021 Art Class
2024 Wayfaring Stranger
???? Civil Rites
Editor:
2002 The Delmarva Chicken of Tomorrow
2006 The Last Biscuit
2013 Taşkafa, Stories of the Street
2015 Estate, a Reverie
2017 Erase and Forget
2019 Here for Life
2021 Art Class
2024 Wayfaring Stranger
???? Civil Rites
Producer:
2002 The Delmarva Chicken of Tomorrow
2006 The Last Biscuit
2013 Taşkafa, Stories of the Street
2015 Estate, a Reverie
2017 Erase and Forget
2019 Here for Life
2021 Art Class
2024 Wayfaring Stranger
???? Civil Rites
Screenplay:
2002 The Delmarva Chicken of Tomorrow
2006 The Last Biscuit
2013 Taşkafa, Stories of the Street
2015 Estate, a Reverie
2017 Erase and Forget
2019 Here for Life
2021 Art Class
2024 Wayfaring Stranger
???? Civil Rites
Writer:
2002 The Delmarva Chicken of Tomorrow
2006 The Last Biscuit
2013 Taşkafa, Stories of the Street
2015 Estate, a Reverie
2017 Erase and Forget
2019 Here for Life
2021 Art Class
2024 Wayfaring Stranger
???? Civil Rites
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.