A work in constant progress (and occasional regress).
Alias:
Gin Lau
Keung-Fu Lau
Lau Gin
Lau Keung-Foo
Lau Shiu-Kwan
Lau Siu-Gwan
Lau Siu-Kwan
Liu Hsiao Chun
Shao-Chun Liu
Shaojun Liu
Siu Gwan Lau
Siu-Kwan Lau
刘少君
劉少君
Birthplace:
Hong Kong, China
Born:
April 13, 1961
Director:
1992 Hero Dream
1993 Sweet Peach
1994 Devil of Love
1994 Picking Up Girls
2000 The Dead End
2000 騷根戇男
2001 Forever Love
2001 Ghost Story - Horrible Tea
2002 Special Dinner
2003 Dirty Man
Presenter:
1991 The Real Me
1992 Hero Dream
1993 Sweet Peach
1994 Devil of Love
1994 Picking Up Girls
2000 The Dead End
2000 騷根戇男
2001 Forever Love
2001 Ghost Story - Horrible Tea
2002 Special Dinner
2003 Dirty Man
Producer:
1990 Magic Amethyst
1991 The Real Me
1992 Hero Dream
1993 Sweet Peach
1994 Devil of Love
1994 Future Love
1994 Money Game
1994 Picking Up Girls
1994 The South Shaolin Master Part II
1996 Madam Q
1996 Ninth of September: The Cursed Day
2000 The Dead End
2000 騷根戇男
2001 Forever Love
2001 Ghost Story - Horrible Tea
2002 Special Dinner
2003 Dirty Man
Screenplay:
1990 Magic Amethyst
1991 The Real Me
1992 Hero Dream
1993 Sweet Peach
1994 Devil of Love
1994 Future Love
1994 Money Game
1994 Picking Up Girls
1994 The South Shaolin Master Part II
1996 Madam Q
1996 Ninth of September: The Cursed Day
2000 The Dead End
2000 騷根戇男
2001 Forever Love
2001 Ghost Story - Horrible Tea
2002 Special Dinner
2003 Dirty Man
Writer:
1990 Magic Amethyst
1991 The Real Me
1992 Hero Dream
1993 Sweet Peach
1994 Devil of Love
1994 Future Love
1994 Money Game
1994 Picking Up Girls
1994 The South Shaolin Master Part II
1996 Madam Q
1996 Ninth of September: The Cursed Day
2000 Home of a Villain
2000 The Dead End
2000 騷根戇男
2001 Forever Love
2001 Ghost Story - Horrible Tea
2002 Special Dinner
2003 Dirty Man
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.