A work in constant progress (and occasional regress).
Alias:
Rashid Sajid
Sajid Samji
Born:
August 20, 1967
Sajid-Farhad are an Indian film director and writer duo consisting of Sajid Samji and Farhad Samji.[1] Their work as writers include the films Shiva, Sunday, Double Dhamaal, Golmaal Returns, All The Best: Fun Begins, Housefull 2, Ready, Golmaal 3, Singham, Bol Bachchan, Chashme Baddoor, Himmatwala, Chennai Express, It's Entertainment and Singham Returns. Five of the films they have written have entered the Bollywood 100 crore club.[2] In 2014, they started directing films with Entertainment.[3]
Dialogue:
2011 Double Dhamaal
2012 All the Best
2012 Bol Bachchan
2012 Housefull 2
2013 Chennai Express
2017 Golmaal Again
2017 Judwaa 2
Director:
2011 Double Dhamaal
2012 All the Best
2012 Bol Bachchan
2012 Housefull 2
2013 Chennai Express
2014 It's Entertainment
2016 Housefull 3
2017 Golmaal Again
2017 Judwaa 2
Screenplay:
2006 Shiva
2011 Double Dhamaal
2012 All the Best
2012 Bol Bachchan
2012 Housefull 2
2013 Chennai Express
2014 It's Entertainment
2016 Housefull 3
2017 Golmaal Again
2017 Judwaa 2
2018 Simmba
2019 Housefull 4
Story:
2006 Shiva
2011 Double Dhamaal
2012 All the Best
2012 Bol Bachchan
2012 Housefull 2
2013 Chennai Express
2014 It's Entertainment
2016 Housefull 3
2017 Golmaal Again
2017 Judwaa 2
2018 Simmba
2019 Housefull 4
Writer:
2006 Shiva
2008 Golmaal Returns
2008 Sunday
2009 All the Best: Fun Begins
2010 Golmaal 3
2011 Double Dhamaal
2011 Singham
2012 All the Best
2012 Bol Bachchan
2012 Housefull 2
2013 Boss
2013 Chashme Baddoor
2013 Chennai Express
2013 Policegiri
2014 It's Entertainment
2014 Singham Returns
2016 Housefull 3
2017 Golmaal Again
2017 Judwaa 2
2018 Simmba
2019 Housefull 4
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.