A work in constant progress (and occasional regress).
Birthplace:
Vila do Conde, Portugal
Born in Vila do Conde (Portugal) 1983. Based in Berlin. Pedro Maia is a Portuguese filmmaker that works predominantly with 16mm and 8mm film, pushing the boundaries and aesthetic of analogue cinema by manipulating the raw materials and challenging the traditional process, continually expanding the visual and technological heritage of classic film methods. His films have been presented in several film festivals and galleries, such as Tokyo Contemporary Art Museum, Armenian Centre for Contemporary Experimental Art, MACBA Barcelona, Edinburgh International Film Festival, Mostra São Paulo, Curtas Vila do Conde, Indie Lisboa, amongst others. He has presented solo performances as well collaborations with several musicians such as Vessel, Shackleton, Visionist, Shapednoise, Jacaszek, Shxcxchcxsh, Tropic of Cancer, Craig Leon, Lee Ranaldo, Fennesz, Porto Remix Ensemble, Nisennenmondai, with presentations of these in leading festivals like Sonar, Unsound, Berlin Atonal, All Tomorrow’s Party, Mutek, Dekmantel, TaicoClub Japan, Red Bull Music Academy, as well in renowned institutions like The Barbican, Serralves Museum, CA2M Centro de Arte Dos de Mayo, Eye Film Museum, Contemporary Cultural Center of Valencia, Caixa Forum Barcelona, among others.
Assistant Director:
2010 Tony
Director:
2007 Memory
2010 Tony
2014 Plant In My Head
2017 Fade Into Nothing
2019 Reverence
2021 Berlin Fire
2022 Window of Hell
2023 March of Time
Producer:
2007 Memory
2010 Tony
2014 Plant In My Head
2017 Fade Into Nothing
2019 Reverence
2021 Berlin Fire
2022 Window of Hell
2023 March of Time
Screenplay:
2007 Memory
2010 Tony
2014 Plant In My Head
2017 Fade Into Nothing
2019 Reverence
2021 Berlin Fire
2022 Window of Hell
2023 March of Time
Writer:
2007 Memory
2010 Tony
2014 Plant In My Head
2017 Fade Into Nothing
2019 Reverence
2021 Berlin Fire
2022 Window of Hell
2023 March of Time
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.