A work in constant progress (and occasional regress).
Birthplace:
Macau, China
Born:
July 16, 1961
Tony Ayres is a highly admired writer and director, whose work as ‘showrunner’ on programs such as ‘The Slap’ (2011), adapted from the novel by Christos Tsiolkas, ‘Bogan Pride’ (2008) starring Rebel Wilson, ‘Nowhere Boys’ (2014) and ‘Glitch’ (2015), directed by fellow VCA alumnus Emma Freeman, have put Ayres at the centre of the Australian screen industry and made him one its most influential leaders. He is a founding partner of Matchbox Pictures.
Creator:
2016 Nowhere Boys: The Book of Shadows
Director:
1985 Sons of...
1997 Exposed
1998 China Dolls
1998 Mrs Craddock's Complaint
1999 Sadness
2002 Walking on Water
2007 The Home Song Stories
2009 Saved
2013 The Turning
2015 Cut Snake
2016 Nowhere Boys: The Book of Shadows
Executive Producer:
1985 Sons of...
1997 Exposed
1998 China Dolls
1998 Mrs Craddock's Complaint
1999 Sadness
2002 Walking on Water
2007 The Home Song Stories
2009 Saved
2013 The Turning
2015 Cut Snake
2016 Nowhere Boys: The Book of Shadows
Screenplay:
1985 Sons of...
1997 Exposed
1998 China Dolls
1998 Mrs Craddock's Complaint
1999 Sadness
2002 Walking on Water
2007 The Home Song Stories
2009 Saved
2013 The Turning
2015 Cut Snake
2016 Nowhere Boys: The Book of Shadows
Script Editor:
1985 Sons of...
1997 Exposed
1998 China Dolls
1998 Mrs Craddock's Complaint
1999 Sadness
1999 Soft Fruit
2001 He Died with a Felafel in His Hand
2001 Mallboy
2002 Walking on Water
2004 Thunderstruck
2007 The Home Song Stories
2009 Saved
2013 The Turning
2015 Cut Snake
2016 Nowhere Boys: The Book of Shadows
Writer:
1985 Sons of...
1997 Exposed
1998 China Dolls
1998 Mrs Craddock's Complaint
1998 The Violent Earth
1999 Sadness
1999 Soft Fruit
2001 He Died with a Felafel in His Hand
2001 Mallboy
2002 Walking on Water
2004 Thunderstruck
2007 The Home Song Stories
2009 Saved
2013 The Turning
2015 Cut Snake
2016 Nowhere Boys: The Book of Shadows
Creator:
2013 Nowhere Boys
2015 Glitch
2020 Stateless
2021 Clickbait
2021 Fires
Director:
2011 The Slap
2013 Nowhere Boys
2015 Glitch
2020 Stateless
2021 Clickbait
2021 Fires
Executive Producer:
2011 The Slap
2012 The Straits
2013 Next Stop Hollywood
2013 Nowhere Boys
2014 Devil's Playground
2014 Old School
2015 Glitch
2015 The Slap
2016 Wanted
2017 Seven Types of Ambiguity
2020 Stateless
2021 Clickbait
2021 Fires
2023 Spooky Files
Idea:
2011 The Slap
2012 The Straits
2013 Next Stop Hollywood
2013 Nowhere Boys
2014 Devil's Playground
2014 Old School
2015 Glitch
2015 The Slap
2016 Wanted
2017 Seven Types of Ambiguity
2018 Everyone's a Critic
2020 Stateless
2021 Clickbait
2021 Fires
2023 Spooky Files
Producer:
2011 The Slap
2012 The Straits
2013 Next Stop Hollywood
2013 Nowhere Boys
2014 Devil's Playground
2014 Old School
2015 Glitch
2015 The Slap
2016 Barracuda
2016 Wanted
2017 Seven Types of Ambiguity
2018 Everyone's a Critic
2020 Stateless
2021 Clickbait
2021 Fires
2023 Spooky Files
Writer:
1998 The Violent Earth
2011 The Slap
2012 The Straits
2013 Next Stop Hollywood
2013 Nowhere Boys
2014 Devil's Playground
2014 Old School
2015 Glitch
2015 The Slap
2016 Barracuda
2016 Wanted
2017 Seven Types of Ambiguity
2018 Everyone's a Critic
2020 Stateless
2021 Clickbait
2021 Fires
2023 Spooky Files
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.