A work in constant progress (and occasional regress).
Alias:
George Pallu
Birthplace:
Paris, France
Born:
December 4, 1869
Died:
September 1, 1948
Lawyer and Army officer, he was personal secretary to the French Minister for Public Instruction, before he started working in films. He was contracted by Production company Invicta Film, from April 1, 1918, for one year as director ("metteur-en-scène"), to adapt Portuguese literary texts to the cinema. His contract was renewed until the company stopped film production in 15 February 1924. He was involved in buying equipment for the company, namely when he went to Paris with a major company partner to buy two development machines, and in negotiations to sell films in France. His first work of adapting the novel A Rosa do Adro (1919) to the cinema was so appreciated, that the Portuguese President confered upon him the honorary title of Knight of the Order of Christ ("Diário do Governo", 2nd Series, 28-12-1919).
Director:
1918 Frei Bonifácio
1919 A Rosa do Adro
1920 Barbanegra
1921 Amor de Perdição
1921 Os Fidalgos da Casa Mourisca
1923 O Destino
1923 O Primo Basílio
1926 La rose effeuillée
1926 Le secret d'une mère
1927 Le train de 8 H 47
1927 Les cœurs héroïques
1927 Phi-Phi
1929 La vie merveilleuse de Bernadette
1929 Le permis d'aimer
1929 Sister of Mercy
1930 The Strange Bride
1933 Les deux 'Monsieur' de Madame
1934 La vierge du rocher
1937 La Fille de la Madelon
1937 La rose effeuillée
1938 Ceux De Demain
1939 Un gosse en or
Editor:
1918 Frei Bonifácio
1919 A Rosa do Adro
1920 Barbanegra
1921 Amor de Perdição
1921 Os Fidalgos da Casa Mourisca
1923 Mulheres da Beira
1923 O Destino
1923 O Primo Basílio
1926 La rose effeuillée
1926 Le secret d'une mère
1927 Le train de 8 H 47
1927 Les cœurs héroïques
1927 Phi-Phi
1929 La vie merveilleuse de Bernadette
1929 Le permis d'aimer
1929 Sister of Mercy
1930 The Strange Bride
1933 Les deux 'Monsieur' de Madame
1934 La vierge du rocher
1937 La Fille de la Madelon
1937 La rose effeuillée
1938 Ceux De Demain
1939 Un gosse en or
Screenplay:
1918 Frei Bonifácio
1919 A Rosa do Adro
1920 Barbanegra
1921 Amor de Perdição
1921 Os Fidalgos da Casa Mourisca
1923 Mulheres da Beira
1923 O Destino
1923 O Primo Basílio
1926 La rose effeuillée
1926 Le secret d'une mère
1927 Le train de 8 H 47
1927 Les cœurs héroïques
1927 Phi-Phi
1929 La vie merveilleuse de Bernadette
1929 Le permis d'aimer
1929 Sister of Mercy
1930 The Strange Bride
1933 Les deux 'Monsieur' de Madame
1934 La vierge du rocher
1937 La Fille de la Madelon
1937 La rose effeuillée
1938 Ceux De Demain
1939 Un gosse en or
Writer:
1918 Frei Bonifácio
1919 A Rosa do Adro
1920 Barbanegra
1921 Amor de Perdição
1921 Os Fidalgos da Casa Mourisca
1923 Mulheres da Beira
1923 O Destino
1923 O Primo Basílio
1924 Tinoco em Bolandas
1926 La rose effeuillée
1926 Le secret d'une mère
1927 Le train de 8 H 47
1927 Les cœurs héroïques
1927 Phi-Phi
1929 La vie merveilleuse de Bernadette
1929 Le permis d'aimer
1929 Sister of Mercy
1930 The Strange Bride
1933 Les deux 'Monsieur' de Madame
1934 La vierge du rocher
1937 La Fille de la Madelon
1937 La rose effeuillée
1938 Ceux De Demain
1939 Un gosse en or
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.