A work in constant progress (and occasional regress).
Birthplace:
Damascus, Syria
Born:
January 22, 1959
Ziad’s body of work as a director, producer and writer has earned over fifty awards and honors. Most recently, Ziad produced the Tunisian hit film Take My Breath. The film has been selected to represent Tunisia at 2025, 97th Oscars for best international film. This year, Ziad wrote, produced, and directed Hello Beautiful based on the best-selling book Walk Beside Me by Christine Handy. Earlier in 2023, Ziad produced the Rwandan film Upstanding and the critically acclaimed The Island of Forgiveness with Claudia Cardinale. He Executive produced the Iranian film Forbidden Womanhood. Prior work includes producing The Flower of Aleppo starring Hend Sabry and executive produced Dreams I Never Had starring Malcolm McDowell and Robin Givens. The Flower of Aleppo was honored as Tunisia’s entry into both the 2017 Academy Awards and the Golden Globe Awards. Irrefutable Proof, a dramatic thriller Ziad directed and produced, swept the Beverly Hills Film Festival earning three of the fest's highest awards: the Golden Palm, Best Actress, and Best Cinematography. He received the Abu Dhabi Film Festival's Black Pearl Award for Best Producer for the film Always Brando, which had its world premiere at the Toronto International Film Festival. Always Brando also received the Best Picture Award from the Alexandria Film Festival and the Jury Prize from the Algerian Film Festival. Ziad's documentary The Letter: An American Town and the Somali Invasion premiered at AFI film festival and was chosen as the opening film Amnesty International film festival. The Letter won numerous awards and accolades and was heralded as Critics Pick by New York Magazine. Woman, a documentary Ziad shot on location in Syria, once again earned Ziad the Beverly Hills Film Festival's highest honor, the Golden Palm Award. ¡Henry O! garnered Best Documentary honors at the BHFF as well as the Best of Fest Award from the Breckenridge Film Festival and the Accolades Award for Excellence in Film. His critically acclaimed feature film Shadow Glories has been heralded as “Powerful and distinctive. A mature, accomplished work...strong, stylish and uncompromising” by Kevin Thomas, film critic for The Los Angeles Times. Ziad is a member of the Producer's Guild of America serving on the diversity committee.
Director:
1995 Broken Promises: The High Arctic Relocation
2001 Shadow Glories
2003 The Letter: An American Town and the 'Somali Invasion'
2007 Woman
2015 Irrefutable Proof
???? Hello Beautiful
Executive Producer:
1995 Broken Promises: The High Arctic Relocation
2001 Shadow Glories
2003 The Letter: An American Town and the 'Somali Invasion'
2007 Woman
2015 Irrefutable Proof
2022 Forbidden Womanhood
???? Hello Beautiful
Producer:
1995 Broken Promises: The High Arctic Relocation
2001 Shadow Glories
2003 The Letter: An American Town and the 'Somali Invasion'
2007 Woman
2010 Adrift: People of a Lesser God
2015 Irrefutable Proof
2016 The Flower of Aleppo
2022 Forbidden Womanhood
2023 Take My Breath
???? Hello Beautiful
???? The Island of Forgiveness
Writer:
1995 Broken Promises: The High Arctic Relocation
2001 Shadow Glories
2003 The Letter: An American Town and the 'Somali Invasion'
2007 Woman
2010 Adrift: People of a Lesser God
2015 Irrefutable Proof
2016 The Flower of Aleppo
2022 Forbidden Womanhood
2023 Take My Breath
???? Hello Beautiful
???? The Island of Forgiveness
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.