A work in constant progress (and occasional regress).
Birthplace:
Adelaide, SA, Australia
Born:
May 15, 1947
Graeham Goble, one of Australia's most successful international songwriters, has been seriously writing songs since he was 16. At the age of 11 he learned to play piano and drums and began turning out simple ditties, sometimes one a day. As leader of Adelaide groups The Silence, Travis Wellington Hedge and Alison Gros, Graeham refined his craft and by the time he had set off to England with the soft-rock outfit Mississippi (who gave him his first taste of Australian chart success in 1972 with the top five "Kings Of The World"), he was an accomplished songsmith and musician. By 1976 he was in the American Top 30 with his "It's A Long Way There", the first International hit for Little River Band. Two years later he was on the Billboard Chart at Number Three with the delicate, haunting and memorable, "Reminiscing". As a founding member of Little River Band, Graeham participated in an extraordinary surge of success which resulted in more than 20 million record sales, 13 American Top 40 hits. At the heart of Little River Band's lush, layered, evocative and engaging sound was the vocal textures he conceived and the powerful, enduring songs he wrote. He penned eight U.S. Top 40 hits and earned two rare "Million-Air" awards from BMI for one million American broadcasts each of "Reminiscing" and "Lady". In the ensuing years, "Reminiscing" has become such a standard on American airwaves that it has been recognized by a "Four Million-Air" award, an absolute first for an Australian-based writer. "Lady" has passed Two Million Airplays, and "The Other Guy" and "Take It Easy On Me" have been added to his Million-Air tally, giving Graeham the distinction of being the only Australian writer to be awarded four "Million-Air" awards from BMI. Graeham Goble left the ranks of Little River Band in 1989 to pursue musical projects close to his heart. Considerable inspiration is evident in the songs that Graeham is now writing; songs which will once again present him as a leading song craftsman. The new songs are very much an endeavour under his own control. All the new recordings feature the talents of Melbourne's finest Jazz, Rock and World Session Musicians. He built a recording studio and learnt the technical side of sequencing and recording so that he could make the sort of recordings he wanted to make. "I always feel that my career is just beginning" he said, "There's so much that I want to do now and this is another beginning for me". .
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.