A work in constant progress (and occasional regress).
Birthplace:
France
Born:
July 20, 1976
Marc Fitoussi (born 20 July 1976) is a French film director and screenwriter. After a university degree course in English and art history, Fitoussi joined the Conservatoire européen d'écriture audiovisuelle (CEEA) (European Conservatory for screen writing). It was there that he developed his screenwriting trade. He began also a parallel career as film director, making several short features including Illustre Inconnue and Bonbon au poivre which earned him a nomination for César Award for Best Short Film in 2007. The same year, he directed his first long film La Vie d'artiste, with Sandrine Kiberlain, Denis Podalydès and Émilie Dequenne in the lead rôles. This film won the Prix Michel-d'Ornano for the best work of French fiction at the Deauville American Film Festival. In 2010, his second long film was released, Copacabana, whose action takes place in the Belgian town of Ostend, starring Isabelle Huppert and her daughter Lolita Chammah in the lead parts as mother and daughter. Source: Article "Marc Fitoussi" from Wikipedia in English, licensed under CC-BY-SA 3.0.
Director:
2006 Bonbon au poivre
2007 La Vie d'artiste
2010 Copacabana
2012 Pauline détective
2014 Paris Follies
2016 Mum Is Wrong
2020 Appearances
2020 Selfie
2023 Two Tickets to Greece
???? Illustre inconnue
Screenplay:
2006 Bonbon au poivre
2007 La Vie d'artiste
2010 Copacabana
2012 Pauline détective
2014 Paris Follies
2016 Mum Is Wrong
2020 Appearances
2020 Selfie
2023 Two Tickets to Greece
???? Illustre inconnue
Writer:
2006 Bonbon au poivre
2007 La Vie d'artiste
2010 Copacabana
2012 Pauline détective
2014 Paris Follies
2016 Mum Is Wrong
2020 Appearances
2020 Selfie
2023 Two Tickets to Greece
???? Illustre inconnue
Creator:
2024 Ça, c'est Paris !
Director:
2015 Call My Agent!
2024 Ça, c'est Paris !
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Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.