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Pat Murphy

Birthplace:
Dublin, Ireland

Biography from TheMovieDB

Born in Dublin, Pat Murphy gained a BA in Fine Art from Hornsey College of Art and Design. She followed this with an MA in Film and Television from the Royal College of Art, London, where she studied under feminist academic and practitioner, Laura Mulvey. There, she created a series of artworks culminating in a film, Rituals of Memory, which reflected her own involvement with the radical ideas that were firing intellectuals and artists alike during that period. Maeve, her first feature, came out of this same moment. This was followed by two historical films, Anne Devlin and Nora, each exploring different aspects of women’s place in history. Her shorter works include a profile of humanitarian Sean MacBride; the experimental short What Miro Saw (2002); a documentary made as installation for the Strokestown Famine Museum and an installation, The Muybridge Solo, for Vehicule Art Inc. Montreal. In 2003 she made a documentary about disability, This is Us We’re Talking About…She has curated a number of important film programmes in Ireland, collaborating with the IFI, IMMA and others. She is currently working as an Associate Arts Professor in the Graduate Film Program at NYU Tisch Asia and has a number of film projects in development.

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Additional information:

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Film Performances

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Film Production

Director:
1981  Maeve
1984  Anne Devlin
2000  Nora
2002  What Miro Saw
2015  The Warp and the Weft
2021  Psychedelia

Producer:
1981  Maeve
1984  Anne Devlin
2000  Nora
2002  What Miro Saw
2015  The Warp and the Weft
2021  Psychedelia

Screenplay:
1981  Maeve
1984  Anne Devlin
2000  Nora
2002  What Miro Saw
2015  The Warp and the Weft
2021  Psychedelia

Writer:
1981  Maeve
1984  Anne Devlin
2000  Nora
2002  What Miro Saw
2015  The Warp and the Weft
2021  Psychedelia

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TV Performances

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About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

Regarding profile removals and data corrections:

  • If you would like your profile removed from this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's gone from their site, it should soon be gone from this site.
  • If you would like to correct movie data on this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's corrected on their site, it should soon be corrected on this site.
  • For additional corrections and profile removals, please e-mail The Open Movie Database (OMDb).

Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.