A work in constant progress (and occasional regress).
Alias:
Adela Christian Bach Bottino
Birthplace:
Buenos Aires, Argentina
Born:
May 9, 1959
Died:
February 26, 2019
In her childhood she studied ballet and jazz, later, as a teenager, she began to take acting classes and from the age of 16 she captured the attention of producers. In spite of dedicating herself to the artistic medium, the actress decided to study law, where she had a professional training, which she complemented with the learning of English, French and Russian. At the end of her career, she worked in the Argentinean soap opera El amor tiene cara de mujer, at which time Valentín Pimstein, a renowned Chilean producer of Mexican soap operas, who was in Argentina, discovered Bach's talent. After two years of negotiations, the producer convinced Christian Bach to travel to Mexico to have some participations in the soap opera Veronica, in 1979. Later, she was included in the second stage of Los ricos también lloran, where she played Edith González's mother. The actress continued with firm steps with Colorina y Soledad, a production in which she met the man who would become her husband, Humberto Zurita, a person who, besides becoming her partner, began to accompany her professionally. Another of her most outstanding projects was Bodas de Odio, in 1984, where she played Magdalena Mendoza, a young woman who is in love with a modest soldier, but is forced by her mother to marry a man of high society. Years after this melodrama ended, producer Ernesto Alonso would give her the dress she wore in the finale of this telenovela so that she could marry Humberto Zurita in real life in 1996. In 1996, another success would come to her career but as a producer, Cañaveral de Pasiones was placed in the first places of audience with this story starring Daniela Castro, Juan Soler and Francisco Gattorno. In this telenovela, her son Sebastián Zurita would make his artistic debut. In Televisa she produced Bajo un mismo rostro, telenovela with which she would say goodbye to the company and would begin to have one of the most important changes in her life at a professional level, moving to TV Azteca. At TV Azteca she would begin one of Christian's most ambitious projects, La chacala, where she participated as producer and protagonist, playing three characters: Hilda, Liliana and Delia. After finishing, she continued behind the scenes with Azul Tequila, where she gave her first opportunity to Bárbara Mori, with El candidato and La calle de las novias. After almost four years of not starring in a telenovela, she reappeared in Agua y Aceite with Humberto Zurita, the last project of the production company Zuba, a partnership between the couple. After finishing this project, the couple decided to travel to Miami, United States, where they lived. In 2017, Bach and her husband announced her retirement from the screen. By that time, the actress's health was deteriorated by a rare degenerative disease. Her last years were spent with her family at home. Bach passed away on February 26, 2019, in Mexico City, Mexico, due to a respiratory arrest. Her two sons -Emiliano and Sebastián- are owners of the production company Addiction House projects.
Producer:
1995 Bésame en la boca
1997 Sex Education In Brief Lessons
Creator:
1996 Cañaveral de Pasiones
2000 Bride's Avenue
Executive Producer:
1996 Cañaveral de Pasiones
1997 La Chacala
2000 Bride's Avenue
Producer:
1995 Bajo un Mismo Rostro
1996 Cañaveral de Pasiones
1997 La Chacala
2000 Bride's Avenue
2002 Agua y Aceite
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Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.