A work in constant progress (and occasional regress).
Birthplace:
Alexandria, Virginia, USA
Born:
January 1, 1984
Akosua Adoma Owusu (b. 1984) is a Ghanaian-American filmmaker, producer, and cinematographer whose films address the collision of identities. Interpreting the notion of "double consciousness," coined by sociologist and civil rights activist W. E. B. Du Bois to define the experience of black Americans negotiating selfhood in the face of discrimination and cultural dislocation, Owusu aims to create a third cinematic space or consciousness. In her works, feminism, queerness, and African identities interact in African, white American, and black American cultural environments. Named by Indiewire as one of 6 pre-eminent Avant-Garde Female Filmmakers Who Redefined Cinema, she was a featured artist of the 56th Robert Flaherty Film Seminar programmed by renowned critic and film curator Dennis Lim. Owusu has exhibited worldwide including at the Berlinale, Rotterdam, Locarno, Toronto, New Directors/New Films (New York), and the BFI London Film Festival. She has won numerous fellowships and grants including from the Guggenheim Foundation, Westridge Foundation, Knight Foundation, Creative Capital, MacDowell Colony, Camargo Foundation and most recently from the Residency Program of the Goethe-Institut Salvador-Bahia. Currently, she divides her time between Ghana and New York, where she works as an Assistant Professor at the Pratt Institute in Brooklyn. Akosua Adoma Owusu is represented by Andrew Farber at Farber Law LLC.
Cinematography:
2007 Intermittent Delight
2010 Drexciya
2014 Bus Nut
2016 Reluctantly Queer
Co-Editor:
2007 Intermittent Delight
2009 My White Baby
2010 Drexciya
2014 Bus Nut
2016 Reluctantly Queer
Director:
2005 Ajube Kete
2006 Tea 4 Two
2007 Intermittent Delight
2008 Boyant
2009 My White Baby
2010 Drexciya
2012 Split Ends, I Feel Wonderful
2013 Kwaku Ananse
2014 Bus Nut
2016 Reluctantly Queer
2018 Mahogany Too
2018 On Monday of Last Week
2019 Pelourinho, They Don’t Really Care About Us
2019 White Afro
2020 King of Sanwi
Director of Photography:
2005 Ajube Kete
2006 Tea 4 Two
2007 Intermittent Delight
2008 Boyant
2009 My White Baby
2010 Drexciya
2012 Split Ends, I Feel Wonderful
2013 Kwaku Ananse
2014 Bus Nut
2016 Reluctantly Queer
2018 Mahogany Too
2018 On Monday of Last Week
2019 Pelourinho, They Don’t Really Care About Us
2019 White Afro
2020 King of Sanwi
Editor:
2005 Ajube Kete
2006 Tea 4 Two
2006 Untitled #1
2007 Intermittent Delight
2008 Boyant
2009 My White Baby
2010 Drexciya
2012 Split Ends, I Feel Wonderful
2013 Kwaku Ananse
2014 Bus Nut
2016 Reluctantly Queer
2018 Mahogany Too
2018 On Monday of Last Week
2019 Pelourinho, They Don’t Really Care About Us
2019 White Afro
2020 King of Sanwi
Executive Producer:
2005 Ajube Kete
2006 Tea 4 Two
2006 Untitled #1
2007 Intermittent Delight
2008 Boyant
2009 My White Baby
2010 Drexciya
2012 Split Ends, I Feel Wonderful
2013 Kwaku Ananse
2014 Afronauts
2014 Bus Nut
2016 Reluctantly Queer
2018 Mahogany Too
2018 On Monday of Last Week
2019 Pelourinho, They Don’t Really Care About Us
2019 White Afro
2020 King of Sanwi
Producer:
2005 Ajube Kete
2006 Tea 4 Two
2006 Untitled #1
2007 Intermittent Delight
2008 Boyant
2009 My White Baby
2010 Drexciya
2012 Split Ends, I Feel Wonderful
2013 Kwaku Ananse
2014 Afronauts
2014 Bus Nut
2016 Reluctantly Queer
2018 Mahogany Too
2018 On Monday of Last Week
2019 Pelourinho, They Don’t Really Care About Us
2019 White Afro
2020 King of Sanwi
Screenplay:
2005 Ajube Kete
2006 Tea 4 Two
2006 Untitled #1
2007 Intermittent Delight
2008 Boyant
2009 My White Baby
2010 Drexciya
2012 Split Ends, I Feel Wonderful
2013 Kwaku Ananse
2014 Afronauts
2014 Bus Nut
2016 Reluctantly Queer
2018 Mahogany Too
2018 On Monday of Last Week
2019 Pelourinho, They Don’t Really Care About Us
2019 White Afro
2020 King of Sanwi
Writer:
2005 Ajube Kete
2006 Tea 4 Two
2006 Untitled #1
2007 Intermittent Delight
2008 Boyant
2009 My White Baby
2010 Drexciya
2012 Split Ends, I Feel Wonderful
2013 Kwaku Ananse
2014 Afronauts
2014 Bus Nut
2016 Reluctantly Queer
2018 Mahogany Too
2018 On Monday of Last Week
2019 Pelourinho, They Don’t Really Care About Us
2019 White Afro
2020 King of Sanwi
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.