A work in constant progress (and occasional regress).
Alias:
Emery Parnel
Emery Parnell
Emory Parnel
The Big Swede
Birthplace:
Saint Paul, Minnesota, USA
Born:
December 28, 1892
Died:
June 22, 1979
From Wikipedia, the free encyclopedia Emory Parnell (December 29, 1892 – June 22, 1979) was an American vaudeville performer and actor who appeared in over 250 films in his 36-year career. He was nicknamed "The Big Swede" and was sometimes credited as "Emery" or "Parnel". Seeking better opportunities in Hollywood, Parnell and his wife moved to Los Angeles, California, where, helped by his red-faced Irish look of frustration, he immediately began to appear in films in a variety of role, such as policemen, doormen, landlords, and small town businessmen. One of his first films was Doctor Rhythm (1938). Although his appearances were often in "B" films, such as the Ma and Pa Kettle series, he also made credible showings in "A" films as well. One notable part was as a Paramount studio executive who sang about avoiding libel suits to open 1941's Louisiana Purchase. Parnell was also part of writer-director Preston Sturges' unofficial "stock company" of character actors in the 1940s, appearing in five of Sturges' films, including The Miracle of Morgan's Creek, where he played the crooked banker, "Mr. Tuerck", the chief antagonist of William Demarest's "Constable Kockenlocker". He also made a memorable appearance as grumpy socialite Ajax Bullion in the Three Stooges short subject All the World's a Stooge.
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.