A work in constant progress (and occasional regress).
Born:
January 1, 1961
Susan Stryker is an award-winning scholar and filmmaker whose historical research, theoretical writing, and creative works have helped shape the cultural conversation on transgender topics since the early 1990s. Dr. Stryker earned her Ph.D. in United States History at the University of California-Berkeley in 1992, later held a Ford Foundation/Social Science Research Council post-doctoral fellowship in sexuality studies at Stanford University, and—before her one-year appointment at Yale (2019-2020)—has been a distinguished visiting faculty member at Harvard University, Northwestern University, Johns Hopkins University, University of California-Santa Cruz, Macquarie University in Sydney, and Simon Fraser University in Vancouver. She is the author, co-author, editor, or co-editor of numerous books and anthologies, including Gay by the Bay: A History of Queer Culture in the San Francisco Bay Area (Chronicle 1996), Queer Pulp: Perverse Passions in the Golden Age of the Paperback (Chronicle 2000), The Transgender Studies Reader (Routledge 2006), Transgender History: The Roots of Today’s Revolution (Seal Press 2008, 2017), and The Transgender Studies Reader 2 (2013).
Co-Producer:
2009 Forever's Gonna Start Tonight
Director:
2005 Screaming Queens: The Riot at Compton's Cafeteria
2009 Forever's Gonna Start Tonight
2013 Christine in the Cutting Room
Producer:
2005 Screaming Queens: The Riot at Compton's Cafeteria
2009 Forever's Gonna Start Tonight
2013 Christine in the Cutting Room
2022 Compton's '22
Writer:
2005 Screaming Queens: The Riot at Compton's Cafeteria
2009 Forever's Gonna Start Tonight
2013 Christine in the Cutting Room
2022 Compton's '22
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.