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Eric Coulter (b. 1961)

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Birthplace:
Glasgow, Scotland, UK

Born:
May 1, 1961

Biography from TheMovieDB

Eric Coulter has worked in the television and film business since the early 1980s. His first role was as unit runner on Bill Forsyth's Gregory's Girl. He worked on dozens of films, commercials and music videos as a location manager and assistant director before moving to a Producer role in the mid 1990s, with The Cops. This landmark show for World Productions/BBC2 won BAFTAs for Best Drama series in 1998 and 1999.  Eric then joined STV as Head of Drama, where he was responsible for the successful overhaul of Taggart, leading to its biggest ever commission in 2008. There, Eric oversaw all development and production including Taggart, Rebus (with Ken Stott), Missing (with Gregor Fisher), Goodbye Mr Chips (with Martin Clunes), High Times (winner BAFTA Scotland Best Drama) and Cracked (Mind Media Awards Best Drama 2009). Eric left STV in the summer of 2009 and then worked as consulting Executive Producer on BBC Scotland's River City before founding SurefireTV in 201

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Film Production

Assistant Director:
1986  The Girl in the Picture

Location Manager:
1986  Heavenly Pursuits
1986  The Girl in the Picture

Production Manager:
1986  Heavenly Pursuits
1986  The Girl in the Picture
1991  Beyond the Maypole

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TV Production

Producer:
1998  The Cops
2018  Bodyguard
2022  The Control Room
2023  Payback

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About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

Regarding profile removals and data corrections:

  • If you would like your profile removed from this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's gone from their site, it should soon be gone from this site.
  • If you would like to correct movie data on this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's corrected on their site, it should soon be corrected on this site.
  • For additional corrections and profile removals, please e-mail The Open Movie Database (OMDb).

Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.