A work in constant progress (and occasional regress).
Alias:
George Michael Gill
Birthplace:
Winchester - Hampshire - England - UK
Born:
December 10, 1923
Died:
October 20, 2005
Michael Gill was born on December 10, 1923 in Winchester, Hampshire, England as George Michael Gill. He was a producer and director. Gill was born in Winchester, Hampshire but was brought up in Canterbury. He contracted tuberculosis as a child which disrupted his education severely; he spent four years in a spinal chair. He served in the RAF in Intelligence during the war. One of his most memorable debriefings was interrogating a German who had survived a 20,000 feet (6,100 m) fall over the Netherlands without his parachute having opened. His memoir of the war years, Growing into War, was published in 2005. After the war he studied philosophy and psychology at the University of Edinburgh. After a period as a sub-editor and arts reviewer on The Scotsman, he joined the BBC in 1954. He worked first on radio but soon moved to television. He is chiefly remembered for Civilisation: A Personal View by Kenneth Clark (1969) (director and co-producer) and Alistair Cooke's America (1973) (director and producer). Although the idea for Civilisation and its presenter, Kenneth Clark, were given to Gill, 'America', and the choice of presenter were entirely Gill's idea. In total Gill made more than 150 films for television and cinema, and won more than 40 major international awards.
Director:
1964 The Peaches
Executive Producer:
1964 The Peaches
1983 The Ghost Writer
Producer:
1964 The Peaches
1983 The Ghost Writer
Unit Manager:
1964 The Peaches
1983 The Ghost Writer
2009 Broken Hill
Director:
1969 Civilisation
Producer:
1969 Civilisation
1972 America: A Personal History of the United States
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.