A work in constant progress (and occasional regress).
Birthplace:
Cambridge, England
Julian graduated from Cambridge in 1987. After a brief stint at Yorkshire Television Julian joined Central where he worked as a Script Editor on a number of successful series including BOON and INSPECTOR MORSE. He then developed PEAK PRACTICE with Lucy Gannon and was a Story Editor for the first two series. In 1994 he left Central to co-found an independent production company, Ikona Films, which was immediately commissioned to make THE VET for BBC1. Julian produced the second series and then joined the BBC as an Executive Producer where he worked on a number of productions including DANGERFIELD and PRESTON FRONT. In 1997 he developed a new version of the SCARLET PIMPERNEL and went on to produce a series of films starring Richard E Grant and Elizabeth McGovern for the BBC and the A&E Network in America. Julian joined Carnival Films in 1998 where he produced two series of the award-winning teenage drama AS IF and an American version for UPN. Julian also directed four episodes of Series 2. In 2002 he was asked by Elizabeth Murdoch to set up the Drama Department at Shine where he was Creative Director and produced an anthology series (LOVE BYTES) for Australian TV, SUGAR RUSH for Channel 4, a major International co-production with Sony Pictures (HEX) and the hit BBC1 show MERLIN. He has now left shine and set up his own production company with Johnny Capps, Urban Myth, where they have produced ATLANTIS.
Creator:
2008 Merlin
2009 Demons
Director:
2008 Merlin
2009 Demons
2013 Atlantis
Executive Producer:
2008 Merlin
2009 Demons
2013 Atlantis
2019 A Confession
2022 The Lazarus Project
2024 Paris Has Fallen
Producer:
2008 Merlin
2009 Demons
2013 Atlantis
2019 A Confession
2022 The Lazarus Project
2024 Paris Has Fallen
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.