A work in constant progress (and occasional regress).
Birthplace:
Shoeburyness, Essex, England, UK
Born:
November 30, 1932
Died:
November 22, 2004
Arthur Hopcraft (30 November 1932 – 22 November 2004) was a British screenwriter, well known for his TV plays such as The Nearly Man, and for his small-screen adaptations such as Tinker Tailor Soldier Spy; Hard Times, Bleak House, and Rebecca. Before taking up writing for TV, he was a sports journalist for The Guardian and The Observer, writing The Football Man: People and Passions in Soccer. He also had four other books published, including an autobiographical account of his childhood, and wrote the screenplay for the film Hostage. Hopcraft won the BAFTA Writers Award in 1986. Hopcraft was born in Shoeburyness, Essex. He soon moved to Cannock, Staffordshire, and as a teen, he started working at local newspapers. By the age of 17, he was reporting on the Stafford Rangers' semi-professional football games using the pseudonym "Linesman." After his service in the military, he worked at the Daily Mirror in Manchester and then The Guardian. He had assignments in west Africa, India and Brazil. In the mid-1960s, he began doing football writing at The Observer as well. From January 1968 he was a regular contributor to the IPC monthly Nova, his articles were mostly stories from his own life. He was a "self-described loner whose claustrophobia extended to refusing to use the London Underground." He never married, noting that "I tried both sexes, but ended up wishing they would all just go away".
Screenplay:
1979 Agatha
Writer:
1971 The Mosedale Horseshoe
1972 Said the Preacher
1972 The Reporters
1973 Jingle Bells
1974 The Nearly Man
1975 Wednesday Love
1979 Agatha
1992 Hostage
Adaptation:
1985 Bleak House
Screenplay:
1979 Tinker Tailor Soldier Spy
1985 Bleak House
Writer:
1970 Play for Today
1979 Tinker Tailor Soldier Spy
1985 Bleak House
1987 A Perfect Spy
1989 A Tale of Two Cities
1997 Rebecca
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.