Jeffrey Hartmann

A work in constant progress (and occasional regress).

Innes Lloyd (1925-1991)

Alias:
George Innes Llewelyn Lloyd

Birthplace:
Penmaenmawr, Conwy, Wales, UK

Born:
December 24, 1925

Died:
August 23, 1991

Biography from TheMovieDB

Innes Lloyd (full name George Innes Llewelyn Lloyd, 24 December 1925 - 23 August 1991) was producer for Doctor Who from the latter part of William Hartnell's tenure as the First Doctor to the middle of Patrick Troughton's second season. As a producer, he reached the front rank of BBC television drama. He began his television career working on popular series in the 1960s. He was the third producer on Doctor Who. His tenure ran for two seasons, from The Celestial Toymaker through The Enemy of the World (excepting The Tomb of the Cybermen, which was produced by Lloyd's successor Peter Bryant on a trial basis). His most important contribution to the programme was developing the notion of regeneration to replace the lead actor. This arose following continuing health difficulties for William Hartnell.

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Additional information:

The Search Form

Film Performances

2022 The Doctors: The Patrick Troughton Years Behind The Scenes Vol 1

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Film Production

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TV Production

Executive Producer:
1985 Screen Two

Presenter:
1964 Match of the Day
1985 Screen Two

Producer:
1963  Doctor Who
1964  Match of the Day
1972  Dead of Night
1974  Bedtime Stories
1974  Playhouse
1978  An Englishman's Castle
1982  Objects of Affection
1985  Screen Two
1988  Talking Heads

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About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

Regarding profile removals and data corrections:

If you would like your profile removed from this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's gone from their site, it should soon be gone from this site.
If you would like to correct movie data on this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's corrected on their site, it should soon be corrected on this site.
For additional corrections and profile removals, please e-mail The Open Movie Database (OMDb).

Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.