A work in constant progress (and occasional regress).
Alias:
Alexander Elihu Tenenholtz
Birthplace:
Volin - Russia
Born:
February 17, 1887
Died:
July 1, 1971
Elihu "Elye" Tenenholtz was born in the Russian hamlet of Azran, near the city of Rovne, in 1887 and came to the US at the age of ten. His first appearance in amateur Yiddish theatricals occurred in 1903, in staged readings of the works of Yiddish author Sholom Aleichem, the first person to do that. He augmented his theater appearances by writing for and editing a Yiddish satirical magazine under the pen-name "Moishe McCarthy". In 1916 he made the leap to the professional Yiddish stage and, befriended by the great doyenne Bessie Thomashevsky, helped her pen her memoirs, the first publication documenting a Yiddish actor's life. By 1920 he was appearing on both the Yiddish art stage with Maurice Schwartz and on Broadway, quickly rising to the top leadership of the Hebrew Actors' Union, the first arts union in America. In 1925 he co-founded a theater company with Celia Adler, half-sister of Luther Adler and "Method" teacher Stella Adler. In 1926 he was summoned to Hollywood and given a five-year contract at MGM. Like most Jewish actors, when he arrived in Hollywood he changed his name (choosing to bifurcate it into "Tenen Holtz"). During that time he regularly appeared in films alongside such stars as Greta Garbo, Norma Shearer, Joan Crawford, Jean Harlow and Marion Davies and under directors like King Vidor and Victor Fleming. This period would prove to be Tenenholtz's most prolific and would account for the majority of the 50+ films in which he would appear. While in Hollywood he helped jump start its fledgling Yiddish theater, founding a popular Yiddish theater company that included other transplanted Yiddish actors including Muni Weisenfreund (aka Paul Muni, father and son Rudolph Schildkraut and Joseph Schildkraut. When his contract at MGM ended, he moved over to Warner Brothers where he made films with Leslie Howard under the direction of Michael Curtiz. By the late 1930s the only calls he got were from Poverty Row studios, so Tenenholtz moved to nearby Monrovia and opened a chicken ranch. Though he would occasionally go back in front of the camera, he retired from film. By the time TV emerged, he landed a few roles on shows such as Perry Mason (1957) and Alfred Hitchcock Presents (1955). He died in 1971.
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Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.