A work in constant progress (and occasional regress).
Alias:
David Agnew
Born:
April 13, 1929
Died:
January 10, 2018
David Fisher (13 April 1929 – 10 January 2018) was a British television screenwriter. Doctor Who script editor Anthony Read commissioned Fisher to write The Stones of Blood (1978) and The Androids of Tara (1978) for The Key to Time storyline of season 16, and he was subsequently commissioned to write The Creature from the Pit (1979) for the seventeenth season during the tenure of Douglas Adams as script editor. He worked on a story called "A Gamble with Time", also for the seventeenth season, but owing to the divorce proceedings ending his first marriage, he was unable to finish the scripts. That story was reworked and completed by Douglas Adams and then-producer Graham Williams and was recorded and broadcast as City of Death (1979) under the pseudonym of David Agnew. His final Doctor Who story was season eighteen's The Leisure Hive (1980). Fisher novelised both The Leisure Hive and Creature from the Pit for the Target book range of Doctor Who novelisations, and appeared extensively on the interview features accompanying the DVD release of the former story. Fisher also wrote novelisations of The Stones of Blood and The Androids of Tara for audiobook releases in 2011 and 2012, which received print editions in 2022. He was also interviewed for a documentary accompanying the DVD release of City of Death. Fisher's other work included writing for the television series Dixon of Dock Green, Crown Court, and Hammer House of Horror.
Story:
1992 Red Shoe Diaries
Writer:
1963 Doctor Who
1972 Crown Court
1972 The Lotus Eaters
1973 Sutherland's Law
1977 The Mackinnons
1980 Hammer House of Horror
1984 Hammer House of Mystery and Suspense
1992 Red Shoe Diaries
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.