A work in constant progress (and occasional regress).
Alias:
Sam Siu-ngaaih
Shen Xiao'ai
沈小艾
Birthplace:
Hong Kong
Born:
January 1, 1966
Mina Shum (born 1966) is an independent Canadian filmmaker. She is a writer and director of award-winning feature films, numerous shorts and has created site-specific installations and theatre. Her features, Double Happiness, and Long Life, Happiness & Prosperity both premiered in the US at the Sundance Film Festival and Double Happiness won the Wolfgang Staudte Prize for Best First Feature at the Berlin Film Festival and the Audience Award at Torino. She was director resident at the Canadian Film Centre in Toronto. She was also a member of an alternative rock band called Playdoh Republic.
Assistant Director:
1991 The Grocer's Wife
Casting:
1991 The Grocer's Wife
Director:
1991 The Grocer's Wife
1994 Double Happiness
1997 Drive, She Said
2002 Long Life, Happiness and Prosperity
2003 Mob Princess
2015 Ninth Floor
2017 Meditation Park
2021 ONE NINE
???? This Is Always
Executive Producer:
1991 The Grocer's Wife
1994 Double Happiness
1997 Drive, She Said
2002 Long Life, Happiness and Prosperity
2003 Mob Princess
2015 Ninth Floor
2017 Meditation Park
2021 ONE NINE
???? This Is Always
Producer:
1991 The Grocer's Wife
1994 Double Happiness
1997 Drive, She Said
2002 Long Life, Happiness and Prosperity
2003 Mob Princess
2015 Ninth Floor
2017 Meditation Park
2021 ONE NINE
???? This Is Always
Writer:
1991 The Grocer's Wife
1994 Double Happiness
1997 Drive, She Said
2002 Long Life, Happiness and Prosperity
2003 Mob Princess
2015 Ninth Floor
2017 Meditation Park
2021 ONE NINE
???? This Is Always
Director:
1998 Da Vinci's Inquest
2002 Bliss
2003 Romeo!
2005 Noah's Arc
2008 Murdoch Mysteries
2017 The Good Doctor
2020 October Faction
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.