Luther Vandross (1951-2005)

Alias:
Luther Ronzoni Vandross Jr.

Birthplace:
New York City, New York, USA

Born:
April 20, 1951

Died:
July 1, 2005

Designated the "heartbeat" of R&B during the 1980s and 1990s, Luther Vandross led a productive singing and song writing life.  At age 30, he finally recorded his first solo album with the No. 1 R&B and "Top 20" pop chart maker, "Never Too Much". He continued steadily with such albums as "Forever, for Always, for Love" in 1982 and "Give Me the Reasons" (1986), but it wasn't until 1989 that he had his first "Top 10" single with "Here and Now" (No. 6), which finally placed him securely on the love song pedestal. Such other No. 1 R&B singles would include "Stop to Love", "There's Nothing Better than Love" and "Any Love".  The 1990s seemed, career-wise, stronger than ever again with a Top 40 hit duetting with Mariah Carey in 1994 on "My Endless Love" and the release of his No. 1 R&B signature version of "Always and Forever" (1994).  On camera film and TV acting appearances include a cameo in Robert Townsend's motion picture The Meteor Man (1993) and episodes of "Beverly HIlls 90210 (as himself) and "Touched by an Angel." A documentary, Luther Vandross: Always and Forever (1994), is also available. Throughout his career, Luther continued to write and produce for other artists including Whitney Houston, Dionne Warwick, Teddy Pendergrass, Cheryl Lynn and Aretha Franklin. Following his massive April 2003 stroke, he made a phantom return to the spotlight with the release of his 2003 CD "Dance With My Father", which was recorded prior to his illness. At the awards show, the absent Luther was rewarded with four Grammys, including song of the year. The success also gave him his first No. 1 album on the pop chart and four NAACP Image Awards.  The beloved 54-year-old musician died at JFK Medical Centre in Edison, New Jersey, of his lingering complications and was survived by his Evangelist mother, Mary Ida Vandross, who was instrumental in promoting her son's last work to Grammy glory following his severe debilitation.

Additional information:

The Search Form


About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

Regarding profile removals and data corrections:

  • If you would like your profile removed from this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's gone from their site, it should soon be gone from this site.
  • If you would like to correct movie data on this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's corrected on their site, it should soon be corrected on this site.
  • For additional corrections and profile removals, please e-mail The Open Movie Database (OMDb).

Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.