A work in constant progress (and occasional regress).
Birthplace:
Northwood, London, England, UK
Born:
June 11, 1942
David Quilter is an English actor who has made numerous appearances in British television plays and series since the mid-1960s. He was born in Northwood, London, and attended Bryanston School, Dorset. "My first inkling that it was possible to be a professional actor was when a boy at school got a scholarship to RADA," remembered Quilter. "I never did any acting at school, which I slightly regret, but seeing him actually go off and train to be an actor, it made me realise that it was what I wanted to do." Quilter trained at Webber Douglas Academy of Dramatic Art in South Kensington and then joined weekly rep at Chesterfield in 1963. "We did seven plays in eight weeks," he recalled. "I then joined the RSC in 1964 to play very small parts in the complete history cycle." Quilter's grandfather, Lawrence Beesley, was a survivor of the sinking of RMS Titanic and wrote an account of his experience called The Loss of the SS Titanic. Quilter made three 15-minute films based on Beesley's story, and in 2012 gave a reading of Beesley's account at the Aldeburgh Lighthouse Station for the 100th anniversary of the sinking. His television appearances include; Softly, Softly: Taskforce (1967), Some Mothers Do 'Ave 'Em (1973), Get Some In! (1975–78), The Bill (1990–97), Grange Hill (2000) as Mr Arnold, Silent Witness (2001–03) and Doctor Who (2008). He also appeared in the film The Battle of Britain (1969) as a pilot, All Creatures Great and Small (1988), Goldeneye (1989), Charles and Diana: Unhappily Ever After (1992) as the Duke of Edinburgh, and Jinnah (1998).
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.