A work in constant progress (and occasional regress).
Anthony Yerkovich is an American television producer and writer. He is best known for creating the 1980s cop show Miami Vice. He served as the show's executive producer along with Michael Mann before, after only six episodes, handing over full executive responsibilities to Mann. His other television credits include Starsky & Hutch (1977-1978), 240-Robert (1979) and Hart to Hart (1981) as writer, Hill Street Blues (1981-1983) as writer and supervising producer, Private Eye (1987-1988) as creator and executive producer, and Big Apple (2001) as writer and executive producer. He also wrote the made-for-TV film Hollywood Confidential (1997) starring Edward James Olmos. He reunited with Mann to executive produce the Miami Vice film, released in 2006. Description above from the Wikipedia article Anthony Yerkovich, licensed under CC-BY-SA, full list of contributors on Wikipedia.
Creator:
1984 Miami Vice: Brother's Keeper
1985 Miami Vice: The Prodigal Son
1989 Miami Vice: Freefall
Executive Producer:
1984 Miami Vice: Brother's Keeper
1985 Miami Vice: The Prodigal Son
1989 Miami Vice: Freefall
2006 Miami Vice
Original Series Creator:
1984 Miami Vice: Brother's Keeper
1985 Miami Vice: The Prodigal Son
1989 Miami Vice: Freefall
2006 Miami Vice
???? Untitled Miami Vice Film
Writer:
1984 Miami Vice: Brother's Keeper
1985 Miami Vice: The Prodigal Son
1989 Miami Vice: Freefall
1997 Hollywood Confidential
2006 Miami Vice
???? Untitled Miami Vice Film
Creator:
1984 Miami Vice
1987 Private Eye
Executive Producer:
1984 Miami Vice
1987 Private Eye
Producer:
1981 Hill Street Blues
1984 Miami Vice
1987 Private Eye
Writer:
1975 Starsky & Hutch
1979 240-Robert
1979 Hart to Hart
1981 Hill Street Blues
1984 Miami Vice
1987 Private Eye
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Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.