A work in constant progress (and occasional regress).
Alias:
Kintarō Hayakawa
早川 金太郎
早川雪洲
Birthplace:
Nanaura, Chiba, Japan
Born:
June 10, 1889
Died:
November 23, 1973
Sessue Hayakawa (June 10, 1889 – November 23, 1973) was a Japanese and American Issei (Japanese immigrant) actor who starred in American, Japanese, French, German, and British films. Hayakawa was the first and one of the few Asian actors to find stardom in the United States as well as Europe. Between the mid-1910s and the late 1920s, he was as well known as actors Charlie Chaplin and Douglas Fairbanks. He was one of the highest paid stars of his time; making $5,000 a week in 1915, and $2 million a year via his own production company during the 1920s. He starred in over 80 movies and has two films in the U.S. National Film Registry. His international stardom transitioned both silent films and talkies. Of his English-language films, Hayakawa is probably best known for his role as Colonel Saito in the film The Bridge on the River Kwai, for which he received a nomination for Academy Award Best Supporting Actor in 1957. He also appeared as the pirate leader in Disney's Swiss Family Robinson in 1960. In addition to his film acting career, Hayakawa was a theatre actor, film and theatre producer, film director, screenwriter, novelist, martial artist, and an ordained Zen master. Description above from the Wikipedia article Sessue Hayakawa, licensed under CC-BY-SA, full list of contributors on Wikipedia.
Director:
1923 The Battle
Producer:
1918 His Birthright
1921 Black Roses
1921 The First Born
1921 Where Lights Are Low
1923 The Battle
Story:
1918 His Birthright
1921 Black Roses
1921 The First Born
1921 The Swamp
1921 Where Lights Are Low
1923 The Battle
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.