A work in constant progress (and occasional regress).
Birthplace:
Hampton, Virginia, USA
Born:
March 8, 1958
From Wikipedia, the free encyclopedia. Steve James is an American film producer and director of several documentaries, including the award-winning Hoop Dreams and Stevie. He is also the director of the 1997 feature film Prefontaine. His newest film, The Interrupters, a portrayal of a year inside the lives of former gang members in Chicago who now intervene in violent conflicts, will be released in 2011 after premiering at the Sundance Film Festival. The film is his sixth feature length collaboration with his long-time filmmaking home, the non-profit Chicago production studio Kartemquin Films, and is also his fifth feature to be accepted into the Sundance Film Festival. He is a graduate of Southern Illinois University Carbondale, studying with Charles Harpole. His work, he tells journalist Robert K. Elder in an interview for The Film That Changed My Life, was strongly influenced by the film Harlan County, USA. There’ve been many documentaries over the years that have powerfully impacted me. I think this one came along at the time when I was more interested in being a feature filmmaker than a documentary filmmaker. So it came along at the beginning of a process of moving from an interest in feature film to documentaries, and that’s where my career has taken me. It came along at the right time for me. It helped me see, “Ah, this is more what I want to do.” Steve James also pulls influence from the original definition of the term cinema verite as it applies to the Rouch/Morin method of filmmaking. Just as with Rouch and Morin, the “people on camera and we in the audience are continually reminded that a film is being made, that we are watching a film.” We are reminded of this through James’ presence on screen as well as his cinematic editing techniques, in order to obtain, what he believes is a more accurate depiction of truth. Description above from the Wikipedia article Steve James (producer), licensed under CC-BY-SA, full list of contributors on Wikipedia
Cinematography:
2011 The Interrupters
Director:
1991 Grassroots Chicago
1992 Higher Goals
1994 Hoop Dreams
1997 Prefontaine
1999 Passing Glory
2002 Joe and Max
2002 Stevie
2003 The New Americans
2005 Reel Paradise
2008 At the Death House Door
2010 No Crossover: The Trial of Allen Iverson
2011 The Interrupters
2012 Focus Forward: Short Films, Big Ideas
2012 Head Games
2014 Life Itself
2014 We the Economy: 20 Short Films You Can't Afford to Miss
2015 Life After Hoop Dreams
2017 Abacus: Small Enough to Jail
2022 A Compassionate Spy
???? The Value of Work
Editor:
1991 Grassroots Chicago
1992 Higher Goals
1994 Hoop Dreams
1997 Prefontaine
1999 Passing Glory
2002 Joe and Max
2002 Stevie
2003 The New Americans
2005 Reel Paradise
2008 At the Death House Door
2010 No Crossover: The Trial of Allen Iverson
2011 The Interrupters
2012 Focus Forward: Short Films, Big Ideas
2012 Head Games
2014 Life Itself
2014 We the Economy: 20 Short Films You Can't Afford to Miss
2015 Life After Hoop Dreams
2017 Abacus: Small Enough to Jail
2022 A Compassionate Spy
???? The Value of Work
Editorial Consultant:
1991 Grassroots Chicago
1992 Higher Goals
1994 Hoop Dreams
1997 Prefontaine
1999 Passing Glory
2002 Joe and Max
2002 Stevie
2003 The New Americans
2005 Reel Paradise
2008 At the Death House Door
2008 In the Family
2010 No Crossover: The Trial of Allen Iverson
2011 The Interrupters
2012 Focus Forward: Short Films, Big Ideas
2012 Head Games
2014 Life Itself
2014 We the Economy: 20 Short Films You Can't Afford to Miss
2015 Life After Hoop Dreams
2017 Abacus: Small Enough to Jail
2022 A Compassionate Spy
???? The Value of Work
Executive Producer:
1991 Grassroots Chicago
1992 Higher Goals
1994 Hoop Dreams
1997 Prefontaine
1999 Passing Glory
2002 Joe and Max
2002 Stevie
2003 The New Americans
2005 Reel Paradise
2008 At the Death House Door
2008 In the Family
2010 No Crossover: The Trial of Allen Iverson
2011 The Interrupters
2012 Focus Forward: Short Films, Big Ideas
2012 Head Games
2014 Life Itself
2014 We the Economy: 20 Short Films You Can't Afford to Miss
2015 Life After Hoop Dreams
2017 Abacus: Small Enough to Jail
2017 Edith+Eddie
2018 Minding the Gap
2018 The Rescue List
2021 Messwood
2022 A Compassionate Spy
2022 Let the Little Light Shine
2023 The Featherweight
???? The Value of Work
Producer:
1991 Grassroots Chicago
1992 Higher Goals
1994 Hoop Dreams
1997 Prefontaine
1999 Passing Glory
2002 Joe and Max
2002 Stevie
2003 The New Americans
2005 Reel Paradise
2008 At the Death House Door
2008 In the Family
2010 No Crossover: The Trial of Allen Iverson
2011 The Interrupters
2012 Focus Forward: Short Films, Big Ideas
2012 Head Games
2014 Life Itself
2014 We the Economy: 20 Short Films You Can't Afford to Miss
2015 Life After Hoop Dreams
2017 Abacus: Small Enough to Jail
2017 Edith+Eddie
2018 Minding the Gap
2018 The Rescue List
2021 Messwood
2022 A Compassionate Spy
2022 Let the Little Light Shine
2023 The Featherweight
???? The Value of Work
Screenplay:
1991 Grassroots Chicago
1992 Higher Goals
1994 Hoop Dreams
1997 Prefontaine
1999 Passing Glory
2002 Joe and Max
2002 Stevie
2003 The New Americans
2005 Reel Paradise
2008 At the Death House Door
2008 In the Family
2010 No Crossover: The Trial of Allen Iverson
2011 The Interrupters
2012 Focus Forward: Short Films, Big Ideas
2012 Head Games
2014 Life Itself
2014 We the Economy: 20 Short Films You Can't Afford to Miss
2015 Life After Hoop Dreams
2017 Abacus: Small Enough to Jail
2017 Edith+Eddie
2018 Minding the Gap
2018 The Rescue List
2021 Messwood
2022 A Compassionate Spy
2022 Let the Little Light Shine
2023 The Featherweight
???? The Value of Work
Writer:
1991 Grassroots Chicago
1992 Higher Goals
1994 Hoop Dreams
1997 Prefontaine
1999 Passing Glory
2002 Joe and Max
2002 Stevie
2003 The New Americans
2005 Reel Paradise
2008 At the Death House Door
2008 In the Family
2010 No Crossover: The Trial of Allen Iverson
2011 The Interrupters
2012 Focus Forward: Short Films, Big Ideas
2012 Head Games
2014 Life Itself
2014 We the Economy: 20 Short Films You Can't Afford to Miss
2015 Life After Hoop Dreams
2017 Abacus: Small Enough to Jail
2017 Edith+Eddie
2018 Minding the Gap
2018 The Rescue List
2021 Messwood
2022 A Compassionate Spy
2022 Let the Little Light Shine
2023 The Featherweight
???? The Value of Work
Cinematography:
2018 America to Me
Director:
1997 Storyville
2009 30 for 30
2018 America to Me
2020 City So Real
2023 The Luckiest Guy in the World
Editor:
1997 Storyville
2009 30 for 30
2018 America to Me
2020 City So Real
2023 The Luckiest Guy in the World
Executive Producer:
1997 Storyville
2009 30 for 30
2018 America to Me
2020 City So Real
2023 The Luckiest Guy in the World
Producer:
1997 Storyville
2009 30 for 30
2018 America to Me
2020 City So Real
2023 The Luckiest Guy in the World
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.