A work in constant progress (and occasional regress).
Thomas Lennon’s work in documentary film has earned him an Academy Award and four Academy nominations, as well as national Emmys, two duPont-Columbia awards and two George Foster Peabody awards. In 2017, Lennon completed Knife Skills, a film about a high-end French restaurant staffed almost entirely by men and women with criminal records, which was nominated for an Academy Award. His film Sacred, which explored the role of prayer and ritual in daily life, drew on contributions of 40 filmmaking teams around the world. After premiering at the Tokyo Film Festival, and screening at 25 international festivals, it is due to air on PBS in 2018. Lennon, in partnership with Ruby Yang, made a trilogy of films set in China, including The Blood of Yingzhou District, which won an Oscar in 2007, and The Warriors of Qiugang, nominated for an Oscar in 2011. This film follows a farmer’s multi-year campaign to halt the poisoning of his village’s water and land; two weeks after the film’s nomination, the local authorities announced a massive multi-year cleanup of the toxic site that averted untold numbers of deaths. He and Yang founded the China AIDS Media Project; their groundbreaking AIDS awareness messages were seen over a billion times on Chinese television and the Internet, probably the largest AIDS campaign in the history of the disease. He created two documentary series for PBS: Becoming American, with Bill Moyers, tracing the Chinese experience from the early 19th century to the present-day, and The Irish in America: Long Journey Home (1998.) made for the Disney Co. His first Oscar nomination was for the feature documentary The Battle over Citizen Kane (1996), which screened at Sundance and Berlin.
Director:
1996 The Battle Over Citizen Kane
1998 The Irish in America: Long Journey Home
2003 Unchained Memories: Readings from the Slave Narratives
2016 Sacred
2017 Knife Skills
Director of Photography:
1996 The Battle Over Citizen Kane
1998 The Irish in America: Long Journey Home
2003 Unchained Memories: Readings from the Slave Narratives
2016 Sacred
2017 Knife Skills
Producer:
1993 The Hurricane of '38
1996 The Battle Over Citizen Kane
1998 The Irish in America: Long Journey Home
2003 Unchained Memories: Readings from the Slave Narratives
2010 The Warriors of Qiugang
2016 Sacred
2017 Knife Skills
Story Consultant:
1993 The Hurricane of '38
1996 The Battle Over Citizen Kane
1998 The Irish in America: Long Journey Home
2000 RKO 281
2003 Unchained Memories: Readings from the Slave Narratives
2010 The Warriors of Qiugang
2016 Sacred
2017 Knife Skills
Writer:
1993 The Hurricane of '38
1996 The Battle Over Citizen Kane
1998 The Irish in America: Long Journey Home
2000 RKO 281
2003 Unchained Memories: Readings from the Slave Narratives
2010 The Warriors of Qiugang
2016 Sacred
2017 Knife Skills
Creator:
1998 The Irish In America: Long Journey Home
Producer:
1988 American Experience
1998 The Irish In America: Long Journey Home
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.