A work in constant progress (and occasional regress).
Birthplace:
Bloomsbury, London, England, UK
Born:
July 10, 1900
Died:
February 17, 1996
From Wikipedia Evelyn Laye, CBE (10 July 1900 – 17 February 1996) was an English theatre and musical film actress, who was active on the London light opera stage. Born as Elsie Evelyn Lay in Bloomsbury, London, and known professionally as Evelyn Laye, and informally as Boo. Her parents were both actors and her father a theatre manager. She made her first stage appearance in August 1915 at the Theatre Royal, Brighton as Nang-Ping in Mr. Wu, and her first London appearance at the East Ham Palace on 24 April 1916, aged 16, in the revue Honi Soit, in which she subsequently toured. For the first few years of her career she mainly played in musical comedy and operetta, including Going Up in 1918. Among her successes during the 1920s were Phi-Phi (1922), Madame Pompadour (1923), The Dollar Princess, Blue Eyes (1928) and Lilac Time. She made her Broadway debut in 1929 in the American première of Noël Coward's Bitter Sweet and appeared in several early Hollywood film musicals. She continued acting in pantomimes such as The Sleeping Beauty and Cinderella. After the Second World War, she had less success, but she returned to the West End in 1954, in the musical Wedding in Paris.[citation needed] She also acted several times opposite her second husband, actor Frank Lawton, including in the 1956 sitcom My Husband and I. Other stage successes included Silver Wedding (1957; with Lawton), The Amorous Prawn (1959) and Phil the Fluter (1969). Married to the actor Sonnie Hale in 1926, Laye received widespread public sympathy when Hale left her for the actress Jessie Matthews in 1928. She was initially very reluctant to abandon the marriage, but, despite a trial reconciliation, a divorce case eventually followed in 1930, with the judge labelling Matthews an "odious person". She subsequently wed actor Frank Lawton, with whom she remained married until his death. Awarded a CBE in 1973, Laye continued acting well into her nineties.
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.