A work in constant progress (and occasional regress).
Birthplace:
Denver, Colorado, USA
Born:
February 29, 1980
Peter Scanavino (born February 29, 1980) is an American actor. Since 2005, Scanavino has had dozens of minor roles in films and on television, most notably Deception (2008), The Good Wife, and The Blacklist. In 2005, Scanavino guest-starred on the NBC crime-drama series Law & Order: Criminal Intent in the fifth-season episode "Diamond Dogs" as petty criminal Johnny Feist. He was also a guest on Law & Order as a suspect who was a graphic designer in the 2009 episode "Just A Girl in the World". In 2013, Scanavino guest-starred on the long-running NBC crime-drama series Law & Order: Special Victims Unit in Season 14, Episode 13, "Monster's Legacy", as Johnny Dubcek. The same year, he starred in the independent romantic-comedy film Mutual Friends, directed by Matthew Watts. In 2014, Scanavino joined SVU in its sixteenth season, this time as Dominick Carisi Jr., nicknamed Sonny, a new SVU detective. Initially in a recurring capacity, Scanavino was promoted to the main cast in the fifth episode of the same season. According to SVU Executive Producer Warren Leight, Carisi "comes in and shakes things up" and is "a guy who maybe needs a little bit of refining." Scanavino noted that Carisi is "a total outsider. He's brusque and he doesn't really get the nuances and he's not very experienced so he puts his foot in his mouth a lot of times. But he's learning. He's picking it up. I think he's a good detective, but he's got a lot to learn on how to approach cases." Scanavino starred in an episode of Netflix's 2020 anthology series Social Distance as the father of his real-life son Leo Bai-Scanavino.
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.