A work in constant progress (and occasional regress).
Alias:
Jeff Summerlin Martin
From Wikipedia, the free encyclopedia Jeff Summerlin Martin is an American television producer and writer. He originally wrote for The Simpsons during the second, third, fourth and fifth seasons, and eventually returned over 20 years later to write again for seasons 27 and 28. He attended Harvard University, where he wrote for The Harvard Lampoon, as have many other Simpsons writers. He left along with most of the original staff in 1993, and has since written for several TV shows, including Listen Up!, Baby Blues and Homeboys in Outer Space. He also wrote for Late Night with David Letterman during the 1980s, and occasionally appeared on the show as Flunky the late-night viewer mail clown, a depressed clown who smoked cigarettes and sometimes talked about his infected tattoos. Martin won four Emmys during his time at Late Night. He lives in Los Angeles with his wife, fellow television producer and writer Suzanne Martin. His daughters are both also television writers. The eldest graduated from NYU in 2010, and the younger daughter graduated from Harvard in 2014.
Creator:
1994 The Good Life
2000 Baby Blues
Executive Producer:
1994 The Good Life
2000 Baby Blues
2004 Listen Up!
Executive Story Editor:
1989 The Simpsons
1994 The Good Life
2000 Baby Blues
2004 Listen Up!
Story:
1989 The Simpsons
1994 The Good Life
2000 Baby Blues
2004 Listen Up!
Story Editor:
1989 The Simpsons
1994 The Good Life
2000 Baby Blues
2004 Listen Up!
Teleplay:
1989 The Simpsons
1994 The Good Life
2000 Baby Blues
2004 Listen Up!
Writer:
1982 Late Night with David Letterman
1989 The Simpsons
1994 The Good Life
1996 Homeboys in Outer Space
2000 Baby Blues
2001 Maybe It's Me
2004 Listen Up!
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.