Jon Plowman (b. 1953)

Birthplace:
Welwyn Garden City, England United Kingdom

Born:
July 4, 1953

Plowman was educated in Welwyn Garden City, Hertfordshire and at University College, Oxford, where was a member of the University College Players and made friends with others who went on to establish successful careers in comedy. One, Mel Smith, directed Plowman in a production of Rosencrantz and Guildenstern Are Dead. After Oxford, Plowman followed Smith to the Royal Court Theatre, where he met the director Lindsay Anderson. Plowman worked in theatre for a while, then joined Granada TV.  He was responsible for producing and commissioning programmes produced in-house at the BBC, of which the greatest successes include The Office and French & Saunders. Plowman became Head of Comedy in October 2005, and oversaw the BBC's in-house comedy production, but no longer commissioned programmes. In June 2007, Plowman announced he was quitting his post at the BBC after 27 years. He decided to become a freelance producer for other shows and hoped to carry on his relationship with the BBC, continuing to create programmes "for them and elsewhere."  In December 2003, The Observer named him in its list of the '50 Funniest or Most Influential People in British Comedy'. On 14 March 2006, he was honoured with the 'Judges' Award for Outstanding Contribution to British Television' at the Royal Television Society awards.  Later he moved into the world of theatre. He co-produced Lucky You, the Carl Hiaasen best-seller that premiered as a theatre production at the Edinburgh Festival Fringe in 2008.

Additional information:

The Search Form


Executive Producer:
1987  French & Saunders
1994  The Vicar of Dibley
1999  The League of Gentlemen
2001  The Office
2005  Extras
2005  The Thick of It
2006  That Mitchell and Webb Look
2006  Time Trumpet
2008  Beautiful People
2011  Twenty Twelve
2014  Inside No. 9

Producer:
1984  Alas Smith and Jones
1987  French & Saunders
1989  A Bit of Fry & Laurie
1991  Murder Most Horrid
1992  Absolutely Fabulous
1994  The Vicar of Dibley
1996  Goodness Gracious Me
1998  This Morning with Richard Not Judy
1999  Gimme Gimme Gimme
1999  Let Them Eat Cake
1999  People Like Us
1999  The League of Gentlemen
2000  The Big Impression
2001  The Office
2002  15 Storeys High
2002  Dead Ringers
2003  Absolute Power
2005  Broken News
2005  Extras
2005  Love Soup
2005  The Thick of It
2006  That Mitchell and Webb Look
2006  Time Trumpet
2007  The Life and Times of Vivienne Vyle
2008  Beautiful People
2009  Psychoville
2010  Robert's Web
2010  Roger & Val Have Just Got In
2011  Twenty Twelve
2014  Inside No. 9

Researcher:
1983  Alfresco
1984  Alas Smith and Jones
1987  French & Saunders
1989  A Bit of Fry & Laurie
1991  Murder Most Horrid
1992  Absolutely Fabulous
1994  The Vicar of Dibley
1996  Goodness Gracious Me
1998  This Morning with Richard Not Judy
1999  Gimme Gimme Gimme
1999  Let Them Eat Cake
1999  People Like Us
1999  The League of Gentlemen
2000  The Big Impression
2001  The Office
2002  15 Storeys High
2002  Dead Ringers
2003  Absolute Power
2005  Broken News
2005  Extras
2005  Love Soup
2005  The Thick of It
2006  That Mitchell and Webb Look
2006  Time Trumpet
2007  The Life and Times of Vivienne Vyle
2008  Beautiful People
2009  Psychoville
2010  Robert's Web
2010  Roger & Val Have Just Got In
2011  Twenty Twelve
2014  Inside No. 9

About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

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Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

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Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.