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Allan Heinberg (b. 1967)

Alias:
Allen Heinberg

Birthplace:
Tulsa, Oklahoma, USA

Born:
June 29, 1967

Biography from TheMovieDB

Allan Heinberg (born June 29, 1967) is an American film screenwriter, television writer, producer, and comic book writer.  Heinberg is the screenwriter of the 2017 film Wonder Woman, directed by Patty Jenkins. His television writing and producing credits include The Naked Truth, Party of Five, Sex and the City, Gilmore Girls, The O.C., Grey's Anatomy, Looking, and Scandal. Most recently, Heinberg developed, wrote, and ran ABC's The Catch, starring Mireille Enos and Peter Krause, and also developed the 2022 Netflix series on The Sandman.  For Marvel Comics, Heinberg co-created and wrote Young Avengers and its sequel, Avengers: The Children’s Crusade, with co-creator/artist Jim Cheung. As part of this series, he co-created the Marvel characters Kate Bishop, Hulkling, Iron Lad, Patriot (Eli Bradley), Speed, and Wiccan. For DC Comics, Heinberg co-wrote JLA: Crisis of Conscience with Geoff Johns (art by Chris Batista) and relaunched Wonder Woman with artists Terry and Rachel Dodson.  Description above from the Wikipedia article Allan Heinberg, licensed under CC-BY-SA, full list of contributors on Wikipedia.

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Additional information:

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Film Performances

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Film Production

Screenplay:
2017  Wonder Woman

Story:
2017  Wonder Woman

Thanks:
2017  Wonder Woman
2023  Ant-Man and the Wasp: Quantumania

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TV Performances

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TV Production

Co-Executive Producer:
2005  Grey's Anatomy

Creator:
2005  Grey's Anatomy
2022  The Sandman

Director:
2005  Grey's Anatomy
2016  The Catch
2022  The Sandman

Executive Producer:
2005  Grey's Anatomy
2016  The Catch
2022  The Sandman

Teleplay:
2005  Grey's Anatomy
2016  The Catch
2022  The Sandman

Thanks:
2005  Grey's Anatomy
2016  The Catch
2021  Hawkeye
2021  The Falcon and the Winter Soldier
2021  WandaVision
2022  The Sandman
2024  Agatha All Along

Writer:
1994  Party of Five
1995  The Naked Truth
1998  Sex and the City
2000  Gilmore Girls
2003  The O.C.
2005  Grey's Anatomy
2014  Looking
2016  The Catch
2021  Hawkeye
2021  The Falcon and the Winter Soldier
2021  WandaVision
2022  The Sandman
2024  Agatha All Along

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About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

Regarding profile removals and data corrections:

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  • If you would like to correct movie data on this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's corrected on their site, it should soon be corrected on this site.
  • For additional corrections and profile removals, please e-mail The Open Movie Database (OMDb).

Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.