A work in constant progress (and occasional regress).
Alias:
Max Colpet
Max Kolpe
Birthplace:
Königsberg, East-Prussia, Germany [now Kaliningrad, Russia]
Born:
June 19, 1905
Died:
January 2, 1998
Assistant Director:
1948 Germany, Year Zero
Co-Writer:
1939 Behind the Facade
1948 Germany, Year Zero
Dialogue:
1939 Behind the Facade
1948 Germany, Year Zero
Idea:
1934 Salto in die Seligkeit
1939 Behind the Facade
1948 Germany, Year Zero
Lyricist:
1932 For Once I'd Like to Have No Troubles
1934 Salto in die Seligkeit
1939 Behind the Facade
1948 Germany, Year Zero
Screenplay:
1932 For Once I'd Like to Have No Troubles
1932 The Blue from the Sky
1933 Madame Wants No Children
1934 Salto in die Seligkeit
1937 Bubi
1939 Behind the Facade
1940 Beating Heart
1940 There's No Tomorrow
1946 Heartbeat
1948 Germany, Year Zero
Story:
1932 For Once I'd Like to Have No Troubles
1932 The Blue from the Sky
1933 Madame Wants No Children
1934 Salto in die Seligkeit
1937 Bubi
1939 Behind the Facade
1940 Beating Heart
1940 There's No Tomorrow
1946 Heartbeat
1948 Germany, Year Zero
1950 Once a Thief
Teleplay:
1932 For Once I'd Like to Have No Troubles
1932 The Blue from the Sky
1933 Madame Wants No Children
1934 Salto in die Seligkeit
1937 Bubi
1939 Behind the Facade
1940 Beating Heart
1940 There's No Tomorrow
1946 Heartbeat
1948 Germany, Year Zero
1950 Once a Thief
1965 Carrie
Writer:
1932 For Once I'd Like to Have No Troubles
1932 The Blue from the Sky
1933 Madame Wants No Children
1934 Bad Seed
1934 Salto in die Seligkeit
1934 The Slump Is Over
1937 Bubi
1938 Final Accord
1939 Behind the Facade
1940 Beating Heart
1940 There's No Tomorrow
1940 They Met on Skis
1946 Heartbeat
1948 Germany, Year Zero
1950 Once a Thief
1965 Carrie
1966 Oh, diese Geister
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.